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...swelling sense of utopianism pervades the hippie philosophy. It has little in common with the authoritarian city-state envisioned in Plato's Republic, or Sir Thomas More's Utopia, which was a bustling agricultural collective where everyone worked six hours each day. Hippie millenniarism is purely Arcadian: pastoral and primordial, emphasizing oneness with physical and psychic nature. The University of Toronto's Northrop Frye, a professor of English and a disciple of Communications Philosopher Marshall McLuhan, sees the hippies as inheritors of the "outlawed and furtive social ideal known as the 'Land of Cockaigne...

Author: /time Magazine | Title: Youth: The Hippies | 7/7/1967 | See Source »

...earthy goddess Olympia, which he painted in 1863, rocked an art world accustomed to nymphs and satyrs, emperors and gladiators: it was obvious from the bouquet of flowers carried by her Negro maid that a lover had just arrived. And when Manet combined Giorgione's Arcadian pastoral with postures from a corner of Raphael's Judgment of Paris, and then transformed them into all-too-contemporary figures, one of them in the buff, picnicking on the banks of the Seine, Napoleon III considered the painting, Le Déjeuner sur I'herbe, a threat to public morals...

Author: /time Magazine | Title: Painting: The Fundamentalist | 11/11/1966 | See Source »

...Covent Garden barber in 1775, he was admitted at 14 as a student in the Royal Academy. At 27, he was elected a full-fledged academician. The works that won him fame, however, were hardly revolutionary. During his earlier years, Turner churned out Old Testament fantasies, nymphs cavorting in arcadian glades, and historical scenarios of such newsworthy topics as the battles of Waterloo and Trafalgar...

Author: /time Magazine | Title: Painting: Landscapist of Light | 4/1/1966 | See Source »

Hartford-born Critic Soby was a sophomore at Williams College when he bought his first work, a reproduction of a print by Maxfield Parrish showing a nude girl seated "on a swing over an Arcadian terrace." Next he turned to the "big three'' of the time: Picasso. Matisse and Derain. Much as he admired these artists, Soby was not a man to stick with the crowd for long. His collection grew in no one direction, wandered gently over the face of modern art with his affections and consistent good taste to lead...

Author: /time Magazine | Title: Art: The Affectionate Critic | 2/10/1961 | See Source »

...younger ballerinas, dances the double role of Odette-Odile with a mixture of faultless precision, lyric grace and sheer animal power; Nicolai Fadeyechev as the Prince and Vladimir Levashev as the Evil Spirit are virile, commanding performers. On the other hand, the ballet itself is simply an arrant Arcadian anachronism, and Tchaikovsky's music, except for a few eddies of glorious melody, fills Swan Lake with sugar water. But along with all its faults, the picture provides U.S. ballet-goers who missed the Bolshoi troupe during last year's tour with a useful opportunity to see the best...

Author: /time Magazine | Title: Cinema: Russian Without Tractors | 2/22/1960 | See Source »

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