Word: arcadians
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Dates: during 1970-1979
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...couldn't paint that today. I just don't believe it. I was doing this best-possible-world, Santa-down-the-chimney, lovely-kids-adoring-their-kindly-grandpa sort of thing. And I liked it, but now I'm sick of it." In the '60s, glimpses of a less Arcadian society surfaced in his work?most memorably, an illustration of U.S. marshals escorting a small black girl to school in Little Rock, Ark. But these did not represent the essential Rockwell as far as his public was concerned. What they wanted was a friendly world, shielded from the calamities...
...conventional, there are two concerts this week which in their own way are as non-conformist as the contemporary ones. The Boston University School of Music Opera Workshop is staging "La Calisto," an opera in three acts by Francesca Caralli, conducted by Warren George Wilson, "La Calisto" is an Arcadian myth of gods, satyrs, wood nymphs and who knows what else, and has been called "a significant part of the current Baroque opera revival," which makes it curious in itself. Catch the wood nymphs next Tuesday, Wednesday and Thursday at the BU Theatre, 269 Huntington Ave., Boston. It is performed...
...Honour points out, even Columbus described the Caribbean in phrases taken from Latin poetry describing the mythical Golden Age. It was culturally impossible for him, or his immediate followers, not to do so. The woodcuts and paintings of the time reflect that Arcadian vision, which would duly be modulated into the cult of the Noble Savage. By 1505, only five years after Cabral's discovery of Brazil, the first American Indian had made his way into a European painting: a Tupinamba chief, crowned with feathers, included as one of the Wise Men from the East in a Portuguese nativity...
There was a demonic as well as an Arcadian side to European images of the Americas. In the mid-16th century another Portuguese artist, doubtless inspired by reports of Caribbean cannibalism, painted an Inferno whose Satan wears a feather crown. But in general it was the noble Indian who would predominate. He became decorative in the late 17th century and positively rococo in the 18th, peering from cartouches, dallying under formalized palms. The ideas of Rousseau transmuted him into a red-skinned Cato or Brutus garbed in instinctive rectitude. And as he began to perish along the white frontier...
...While deploring man's policy of conquest toward nature, he denies masochistic readers the tidy comfort of feeling that ecological abuses are the exclusive products of the Judaeo-Christian tradition and modern technology. Plato, he points out, testified to the deforestation of Greece. Far from reverencing life, men (Arcadian as well as Promethean) have always been inclined to operate on the theory: "If it moves, kill...