Word: arcangelo
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Dates: during 1960-1969
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This year, with 27 posters rolling off the presses, Mrs. List is busier than ever. For its May opening, Washington's National Collection of Fine Arts commissioned posters by Lee Bontecou, Chryssa, Allan d'Arcangelo, Sam Francis, Larry Rivers and Claes Oldenburg. The New York City Center has ordered a 25th anniversary portfolio in which Lowell Nesbitt, George Segal and Jim Dine will celebrate the drama, ballet and comic-opera companies...
...usual aftermath of tearing down a house in one of Manhattan's more dilapidated sections is a drab parking lot enclosed by scabby brick walls. Artist Allan D'Arcangelo, 37, had a different idea. Seized like many another artist these days with the urge to Paint Big, D'Arcangelo grasped at the opportunity offered by a landlord who owns a five-story tenement next to a parking lot in Manhattan's East Village. The landlord agreed to turn over the side of his building to be used for a mural, put up the price...
...mural has fascinated local res idents-a mixed bag of Village hippies, Poles, Ukrainians and Puerto Ricans. "At first," says D'Arcangelo, "they thought it was going to be some sort of a sign, and kept asking which company was putting it up. We kept telling them, 'We are painting this for you.' Pretty soon, they began to like the idea." Only problem: if a new building goes up in the parking lot, there goes the mural, sealed off from sight between old wall...
SCULPTURE WITH SOUND-Cordier & Ekstrom, 978 Madison Ave. at 76th. Synesthetic creations by 27 modern artists titillate both eye and ear with a clattering symphony including Chryssa's Boozooki, Bruce Connor's Tick Took Jelly Clock Cosmotron, Allan d'Arcangelo's Metronomes, Richard Stankiewicz' Storm Gong, George Ortman's Heartbeat, Alexander Calder's Three Gongs And Red, Man Ray's Indestructible Object, Robert Rauschenberg's Dry Cell, Jean Tinguely's Radio Drawing. Through...
Time was when violin playing delighted the eye as well as the ear. According to an awed contemporary, the great Italian Virtuoso Arcangelo Corelli (1653-1713) startled his audiences with eyes "as red as fire" and eyeballs that rolled in agony. The legendary Paganini (1782-1840) was accused of deliberately playing on frayed strings so that when one snapped he could display his virtuosity on three. But times have changed. Last week, in Manhattan's Carnegie Hall, one of the world's great violinists walked to the center of the stage, took measure of the audience...