Word: arced
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Dates: during 1950-1959
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...Carl Dreyer. Dreyer, 68, is a Dane who has made his living as a newsman and his reputation as a cinematic creator on the strength of a half-dozen pictures that few people have seen. Only two have been generally noticed in the U.S. The Passion of Joan of Arc (1928) was considered by most critics "an experimental film," but it has since served serious moviemakers as an invaluable primer on the uses of the closeup. Day of Wrath (1948) was a tenebrous expatiation on the theme of Jeremiah ("The heart is deceitful above all things, and desperately wicked...
...from Newfoundland to the mid-Atlantic. Backing them up will be chains of underwater "listening" lines, now being built parallel to the coasts, to detect and intercept missile-launching submarines several hundred miles out at sea. In addition, a ground DEW line extension is also under construction across the arc of the Aleutian Islands; other holes are plugged by the Alaskan...
Down on the ground floor the thick mat of folding chairs filled up, to the dull impendent drone of the devoted. Pushing, shoving, and other forms of creative expression were constrained by the blue propriety of the Boston police force--on sentry duty at each exit. Above, arc lights were attached to steel girders. Below, red flags and colored paper draped a stage of white wood slats...
...only twelve states* guarantee it by law, and the Federal Government has no such statute. Judge Sylvester Ryan warned attractive, hard-working Columnist Torre, 33, that she was risking a sentence of 30 days for contempt if she persisted. Sympathetically, the judge called her "the Joan of Arc of her profession." The Trib promptly staked her out on Page One in a blaze of pictures, plastered most of an inside page with sidebars, ran a fat lead editorial sounding the tocsin of the freedom, of the press and invoking the shade of Woodrow Wilson. The Trib's young...
...started off with great flair, giving the city handsome productions of Cherubini's short The Portuguese Inn, and Honegger's Joan of Arc at the Stake, both performed for the first time on a U.S. opera stage. The next year he followed up with the U.S. premiere of Sir William Walton's Troilus and Cressida. Adler also revived such difficult classics as Verdi's Macbeth and Wagner's Flying Dutchman, gradually building up his own high-caliber stable of singers, including Germany's Elisabeth Schwarzkopf, Vienna's Leonie Rysanek, British Tenor Richard Lewis...