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...assuming that its audience knows the complex history behind the characters. Aside from the prerequisite villain, the unpleasant characters that readers love to hate from the books don’t seem nearly as vile as they do in Rowling’s books. Both Harry’s arch-nemeses at Hogwarts, the spoiled Draco Malfoy and the leering Potions Professor Severus Snape, are given limited exposure time in the film, thus de-emphasizing the obvious tension that exists between the characters in the book. We see no trace of Snape’s sincere hatred...

Author: By Michelle Kung, CRIMSON STAFF WRITER | Title: Do You Believe in Magic? | 11/16/2001 | See Source »

...needed introduction. Hearing of these additions, New York University Press finally agreed to publish the collection. When Blacks at Harvard appeared in 1993, the book’s title page sported not the “Veritas” crest, but with the NYU Press logo--the Washington Square arch...

Author: By Thomas A. Underwood, CRIMSON STAFF WRITER | Title: Blacks at Harvard: Volume Two? | 10/30/2001 | See Source »

...Alonzo-Mourning-style, and ends up breaking his shooting hand. The loss of its starting point guard and the subsequent internal animosity result in the Blazers finishing the season with the seventh best record in the West and a first round playoff exit at the hands of their arch-nemesis, the LA Lakers...

Author: By Barat Samy, CRIMSON STAFF WRITER | Title: Slammin' Samy: Lakers Will Three-Peat (And Other Predictions) | 10/23/2001 | See Source »

...bookie. After giving one of last year’s best performances in You Can Count on Me, I was very interested in seeing Ruffalo in a new role. Once again, he gives a solid performance, but one wishes he had better material to work with. Ultimately, his story arch is quite predictable, but his acting keeps the audience interested. It is also worth mentioning that Jerry Goldsmith contributes another very good score to this film, which, most of the time, is actually more moving than what is on screen...

Author: By Vijay A. Bal, CRIMSON STAFF WRITER | Title: Redford's Last Stand | 10/19/2001 | See Source »

...Hollywood stereotypes of Arabs have not matured in the same way at all. An often cited example is Aladdin, in which Scott Weinger ’98 was the voice of Aladdin, the hero, while the arch-villain, Jafar, speaks with a (bad) Arab accent. It does not appear, though, that this bias is malicious—merely cultural. The Siege in 1998 was an eerie prediction of Arab-American internment after terrorist attacks in New York, and the film’s intent seemed to be to show that this was not a reasonable response to a terrorist attack...

Author: By Charles D. Cheever, CRIMSON STAFF WRITER | Title: Native Americans and Native Palestinians | 10/15/2001 | See Source »

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