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...Archibald Cox '34, Samuel Williston Professor of Law and Solicitor General under Presidents Kennedy and Johnson, said, "It's unfortunate for us to lose him, but you can be sure that it's a fine appointment...

Author: By John A. Herfort, | Title: Dean Griswold Appointed Solicitor General | 10/2/1967 | See Source »

President Johnson strengthened local power and local responsibility by his action in Detroit, Archibald Cox, Samuel Williston Professor of Law and former U.S. Solicitor General has written in last Sunday's Boston Globe...

Author: NO WRITER ATTRIBUTED | Title: Johnson's Decision Aided Local Power Cox Argues | 8/15/1967 | See Source »

...head of the United Federation of teachers has sharply criticized the selection of Archibald Cox, Samuel Williston Professor of Law, as a mediator of the contract dispute between the U.T.F. and the New York Board of Education...

Author: NO WRITER ATTRIBUTED | Title: Union Criticizes Cox' Selection as Mediator | 8/15/1967 | See Source »

...pigheaded, authoritarian tyrant who is absolutely confident of his own infallibility. The Creon of Anouilh-Carnovsky is quite different. We even learn that in his youth "he loved music, bought rare manuscripts, was a kind of art patron." But now he has become the sort of person against whom Archibald MacLeish has just warned us: "Man in the electronic age is not a votary of the arts--he has more serious business. He sees himself, whatever his economic system, as a social and scientific animal, the great unraveler of the universe, its potential master, and his tool...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

...multiple-screen technique is a favorite of Expo's moviemakers. Great Britain's most important film, produced by James Archibald and directed by Donald Levy, is also shown on three screens, although here the trio frequently function independently. Only five minutes long, the movie attempts to portray the history of energy-first bursting from the sun, gradually disciplined and controlled by man. In fact, the film is little more than a series of violent images: arrows, acrobats, whirling lathes and ballet dancers, a time-lapse sunset, atomic explosions, water droplets in slow motion. Assaulted by three simultaneous images...

Author: /time Magazine | Title: Cinema: Magic in Montreal: The Films of Expo | 7/7/1967 | See Source »

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