Word: archings
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...make that separation, and how he stumbles into his own path to sanctity, is Powers' story. He tells it in prose that is like his hero: unspectacular but full of impressive resources. Powers commands a variety of comic voices, from the wild, imaginary conversations with the Archbishop, or Arch, as Joe calls him, to the non sequiturs of sweet, dim Father Felix, the monk who helps Joe out on weekends when he is not chuckling over TV shows. The scenes in which Joe falls woefully short of his ideal of priestly fellowship are wicked social comedy. For days after...
...critics, this display seems to be an arch-send-up of the Catholic devotion to the Sacred Heart of Jesus. Some dialogue also hints at satire, probably unintentionally. Asked by a Zealot to compare being dead with being alive, the resurrected Lazarus says thoughtfully, "I was a little surprised. There isn't that much difference." At times Jesus sounds like a mumbling method actor (his first sermon begins "Umm, uh, I'm sorry"), at others like a recent graduate of the Shirley MacLaine School of Theology ("Everything's part...
Hershey's performance captures Roth's dilemma with the blend of severity and tenderness it deserves. When she is arrested and refuses to look back as her child cries, "Mommy, don't go," the viewer knows it is only because she refuses to show she can be beaten. Arch in the interrogation scenes, convincing as a professional and warm in relations with family members, Hershey's Roth only marginally overdoses on the emotional...
Iranian leaders took turns denouncing the misdeeds of the "arch-Satan" America. President Seyed Ali Khamene'i called the downing of the aircraft "one of the biggest crimes of the war," while Ayatullah Hussein Ali Montazeri, designated successor to Spiritual Leader Ayatullah Ruhollah Khomeini, advocated sabotage "on American financial, political and military targets everywhere." Khomeini urged his people to "go to the war fronts and fight against America and its lackeys." Both Khamene'i and Khomeini, however, seemed just as intent on redoubling efforts against Iraq as denouncing America...
...that, thanks in part to the patronage of Prince Charles, enjoys far fiercer support in Britain than in the U.S. To Lettice, modernism scorns the past and its romance. Yet what lingers from the play's three sprawling hours is Smith's one-woman parade of fussy antics and arch-nasalities to the dumb-struck wonderment of Margaret Tyzack as the horrified boss turned sly collaborator. Shaffer needs to edit and focus. Lettice's architectural views notwithstanding, less can be more...