Word: archings
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...Watergate-weary voters, such a question was bound to evoke unhappy comparisons. The tax issue cut deeply into Metzenbaum's support, even among the labor unions, where it was strongest in 1970. "Our people at the plants are puking over that tax business," said Arch Little, executive secretary of the Dayton-Miami Valley AFL-CIO Council. Washington Pollster Peter Hart, who took surveys for Glenn, found that 43% of those polled thought Glenn was the more honest of the two candidates, while only 11% thought Metzenbaum was. "In essence, that was the ball game," said Hart. Metzenbaum, who will...
Rowing against a slight headwind the Harvard lightweight JV's with coxswain Burt Levitch, stroke Jerry Boak, Dave Porter (7), Rich Harper (6), Tim Hackert (5), Mark Sieber (4), Jack Foley (3), Greg Miller (2) and Woody Harlan at the bow slot, took off against their arch rival Princeton, and never looked back. Rowing at a 36 for most of the race, Harvard crossed the finish line at 6:30.8, with Princeton more than a length behind coming in at 6:36.2. Navy was third...
BUTLEY Directed by HAROLD PINTER Screenplay by SIMON GRAY Ben Butley, who teaches English literature at a London university, is generally befogged and intermittently besieged. An arch ex-wife seeks him out with the news that she plans to remarry. Students descend on him for tutorials, inundate him with papers like "Hate and Redemption in A Winter's Tale. "Edna Shaft (Jessica Tandy) is upset because Butley(Alan Bates) encouraged a student to quit one of her stifling seminars. Joey Keyston (Richard O'Callaghan), a junior member of the department, is planning to move in with his lover...
...York Knick fans, April 1974 is the cruelest month of the cruelest year. The Knicks not only fell to their arch-rivals, the Celtics, in the final of the Eastern Conference playoffs, but also lost their top player, number 22, Dave DeBusschere...
...result was strangely pictorial sculpture: freestanding but often flat as a relief, sometimes unintelligible when walked round. The figures are meant to be seen from the front, as if drawn up on their massive bases beneath an imaginary proscenium arch. From the back they are apt to disintegrate into a welter of craggy texture and bronze lumps. They insist always on a specific remoteness from the viewer...