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Senator James Couzens is not a forgiving man. All of his opponents are arch-opponents and he fights them to a finish. The St. Valentine's Day Massacre of Detroit's banks provided Senator Couzens with a set of arch-opponents among the citizens of his own city. Some of them accused him of keeping the RFC from going to the aid of their banks. He accused them of shutting off his revelations in their local investigation of the Detroit bank massacre. Senator Couzens is hard to shut off, especially when he is a member of a Senate...

Author: /time Magazine | Title: Business: Senate Revelations 7: 1 | 1/1/1934 | See Source »

...Smith was barely able to lift his plane over the Palace roof and miss the flagstaff by inches as spectators screamed and scattered. "God save the King!" gasped a pink-cheeked old lady in a black bonnet as Air man Smith disappeared, his backfiring motor carrying him over Marble Arch to plunk down safely in Hyde Park. Said the King, according to Palace officials: "I saw it from a window. I thought it would crash either on the roof or in the courtyard." ¶Day before, hard by Marble Arch, Their Majesties inspected London's new est luxury hotel...

Author: /time Magazine | Title: GREAT BRITAIN: The Crown: Dec. 25, 1933 | 12/25/1933 | See Source »

This Bishop Gallagher indeed did. Genuinely fond of Father Coughlin who caused his Bishop's rugged features to be perpetuated in a figure of the Arch angel Michael on his "Charity Crucifixion Tower" which radio receipts made possible, the Bishop has declined to interfere even when he disagrees with Father Coughlin's notions. Last week, disagreeing again, he nevertheless said: "No heresy has been preached. Father Coughlin in his addresses is advocating the principles set down by Leo XIII and Pius...

Author: /time Magazine | Title: Religion: Priest in Politics | 12/11/1933 | See Source »

...responded were a handful of overcoated reporters lugging cameras and the polite directors of the trolley line. Tiptoeing round the vast draughty power house they looked at a towering erection of canvas and wallboard 100 feet high representing the arch. Over the opening was a painted rainbow which will be of colored mosaic in the finished work. Bracing either pier was an intricate iceberg of plaster. Together they contained 53 nine-foot figures-rows of muscular nude young men rising to a barrel-chested Superman with arms outstretched; nursing mothers, old men, children and refugees. Many were individual figures...

Author: /time Magazine | Title: Art: Peace Arch | 11/27/1933 | See Source »

...critics with every sympathy for the idea back of the arch, for the industry of Sculptor Barnard and for the artistic value of many of the individual figures stayed mum. None dared remind a man who has worked 15 years on one job that a 100-foot arch is not sculpture but architecture. The vast panels of plaster he has designed are white excrescences oozing from masonry. Despite their individual merit and the noble symbolism they represent, not one of the 53 figures has any structural connection with the arch of which it is a part...

Author: /time Magazine | Title: Art: Peace Arch | 11/27/1933 | See Source »

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