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...those secondary Cubists, Jean Metzinger and Henri le Fauconnier. Even her student work -- the big studio nudes in a Cubist idiom represented in the show -- has striking analytic toughness. Its painted planes, jutting and curling in imagined space, become literal in 1915: painted cardboard still-life sculptures inspired by Archipenko...

Author: /time Magazine | Title: ART: Modernism's Russian Front | 3/18/1991 | See Source »

...itself was the degree to which sculptors angled their work away from the accepted forms of social communication via the human figure. Not because they lost interest in the figure -- on the contrary, the years 1900-1950 were rich in figure sculpture and body-haunted objects by Matisse, Picasso, Archipenko, Brancusi, Miro, Calder, Giacometti and others -- but because they did not want to serve the social consensus in the way that statuary did. Consequently, few public commemorative sculptures made in the past 75 years have any real importance in the modernist canon; and conversely, modern public sculpture is mostly banal...

Author: /time Magazine | Title: Art: The Liberty of Thought Itself | 9/1/1986 | See Source »

...change started with cubism and widely affected the European avantgarde. Its results range from the futurist sculpture of Italian artists like Umberto Boccioni and Giacomo Balla to the radical experiments of the Russian constructivists, Tatlin, Rodchenko, Lissitzky, Puni; from Alexander Archipenko's wall reliefs to Julio Gonzalez's iron constructions and Alexander Calder's fluttering mobiles. Artists as unlike as Naum Gabo and David Smith were affected by it. No sculptor interested in either ideal formal systems or new materials was immune to its promises, and its influence persists to this day. Sculpture had been solid since...

Author: /time Magazine | Title: Art: At the Meeting of the Planes | 4/16/1979 | See Source »

...startling to see how fast and with what authority the Guitar's lessons were absorbed by other artists in Paris, such as Henri Laurens and Archipenko. Laurens's Dish with Grapes (1916-18), with its majestic rotation of painted wood planes around the calm central core of the stemmed fruit dish, is surely one of the masterpieces of the 20th century, and all the fresher for being little known. Jacques Lipchitz's flat, frontal cubist sculptures, like Detachable Figure, Seated Musician (1915), are perhaps less impressive than this; yet they have about them a gaiety and precision...

Author: /time Magazine | Title: Art: At the Meeting of the Planes | 4/16/1979 | See Source »

Russian highlights include Archipenko's monumental nudes and a gleeful Mare Chagall work, "Self portrait with woman." In 1921, Chagall had not yet emigrated from Russia. A leading art educator in Vitebsk, he portrays himself happy, in familiar surroundings, a woman floating breezily from his hand like a kite...

Author: By Maud Lavin, | Title: A Puzzling Show of Support | 8/8/1975 | See Source »

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