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...Architect Alejandro Aravena presents X, his largest United States exhibition featuring ten projects. The exhibition also presents the entries for the ELEMENTAL competition for the design of public housing projects in Chile. Gund Hall Gallery...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 10/15/2004 | See Source »

...MOMA's new research center is still partly covered with scaffolding. But at the museum's temporary offices around the corner, everyone seems confident that things will be ready for the grand unveiling on Nov. 20 of the new, greatly expanded MOMA, a $425 million reconstruction by the Japanese architect Yoshio Taniguchi that will increase the museum's exhibition space by almost half...

Author: /time Magazine | Title: Design: The Bigger Picture Show | 10/11/2004 | See Source »

Taniguchi was a surprise selection to design the new MOMA. Although the architect has a number of choice projects to his credit in Japan, including eight museums, the man is so little known in the U.S. that one baffled well-wisher congratulated Terence Riley, MOMA's chief curator of architecture and design, thinking the museum had selected an Italian architect, Tony Gucci. In an era of glamorously expressionist architecture, of Frank Gehry's voluptuous Guggenheim in Bilbao, Spain, MOMA has opted for a work of what you might call old-fashioned Modernism, clean-lined and rectilinear, a subtly updated version...

Author: /time Magazine | Title: Design: The Bigger Picture Show | 10/11/2004 | See Source »

...long, 110-ton quicksilver blob in Millennium Park, the new $475 million addition to the city's famous museum row. The reflective stainless-steel sculpture (which its British creator, Anish Kapoor, calls Cloud Gate) distorts North Michigan Avenue like a fun-house mirror. Weather permitting, you can check out architect Frank Gehry's dynamic bandshell at the Jay Pritzker Pavilion. (If you need to check email, the north and south ends of the park carry wifi Internet signals...

Author: /time Magazine | Title: Chicago: Windy City Redux | 10/11/2004 | See Source »

Last summer I visited one of Frank Gehry’s recent buildings, the Disney Concert Hall, in Los Angeles. Gehry is a superlative example of an architect who has stopped worrying about meaning. His buildings are sculptural and spectacular, meant to be experienced rather than interpreted. Built in the style that has by now made Gehry famous, the Disney Hall resembles a huge waterfall of dramatically arching and soaring stainless steel forms, each cascading over and into and through the others. I would be the first to admit that the building was both spectacular and titillating; walking around...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: Some Problems with Meaning and Criticism | 10/8/2004 | See Source »

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