Word: architecte
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Dates: during 1950-1959
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...Seven (Jack Warden) is a marmalade salesman who can really spread it on, and who is all for rushing the defendant to the chair so that he can hurry off to a seat of his own-at the evening ball game. Eight (Henry Fonda) is a mild-mannered, intelligent architect. Nine (Joseph Sweeney) is a cranky old pensioner, but smart. Ten (Ed Begley) runs a string of garages and spits like a battery syringe whenever the subject of race comes up. Twelve (Robert Webber) is an adman who can't distinguish the truth from a slogan...
Twelve good men and true, with a boy's life in their hands. They take a vote: eleven for conviction and one-the architect-for acquittal. "Boyoboy," says the garageman, "there's always...
...vote founded on an unfounded distinction between himself and his slum clientele. Jack Warner is a cold and prim broker, a man used to having his opinions deferred to, and E. G. Marshall, as the quick-minded old widower, is the only man to give credence to the young architect Fonda's "reasonable doubt" at first...
...problems of traffic congestion and public reaction to planning were stressed by the two other speakers on the program, Victor Gruen, an architect, and Andrew Heiskell, publisher of Life magazine. Heiskell emphasized the opposition encountered by city planners, and quoted early abuse of Rockefeller Center by the New York Times and Walter Lippmann, who called Radio City Music Hall "a pedestal for a peanut...
Last week Old Enemy Quadros was out to crush Adhemar again. He had hand-picked Architect Francisco Prestes Maia to run against Adhemar, and backed him with high-voltage fanaticism. The choice was a mistake; at political rallies Prestes Maia's lifeless voice and dazed expression chilled audiences into apathy. For his part, Adhemar pulled a tactical switch. Long known as a first-rank name-caller, he left the mudslinging to Quadros. The final returns proved Adhemar's magic greater...