Word: architectes
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Dates: during 1950-1959
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...month after Santa Trinita's destruction Architect Luigi Bellini surveyed the ruins jutting like stumps from the Arno's muddy waters, vowed, "We shall have a new bridge-where it was, and as it was." A citizens' committee headed by Berenson raised $100,000 abroad, Florentines contributed $30,000, the national government added a final...
...project was entrusted to Riccardo Gizdulich, a blond, cigar-smoking architect who has built some of Italy's most radically modern structures. He studied photographs, the designs left by Ammannati, notes left by the head mason. Under his direction, the Arno was dammed, and the river bottom was searched for fragments left after the explosion. Studying the shards, Gizdulich deduced that the ancient masons had used special chiseling and cutting implements now unknown. Gizdulich designed similar tools and had them made by hand, taught a group of artisans to use them. The pieces of the old bridge were lovingly...
...with Exuberance. One fine morning earlier this month a black Cadillac sloshed through the mud, slid to a stop before the U.S. Pavilion. Out got a heavy-built (205 Ibs.), 6-ft.-tall U.S. architect, his grey Homburg awry. Oblivious to the gathering circle of workmen, he stood transfixed before the building that seemed to float in the bright sunshine, softly murmured, "Wow!" Then, as his genial, basset-hound features broke into a delighted grin, he exclaimed: "God, isn't that the most beautiful damned thing you've ever seen in your whole life...
...Architect Edward Durell Stone, 56, and for the first time he was seeing, nearly completed, the building he had created. One of the profession's freest spirits and by general consensus the most versatile designer and draftsman of his generation, Ed Stone was a pioneer modernist. He early set his mark on such buildings as Manhattan's Museum of Modern Art, became one of the deftest interpreters of the International Style initiated by France's Le Corbusier and Germany's Bauhaus school. In recent years he revolted against the monotony of cityscapes composed of acres...
Willows in the Amphitheatre. It was the note of exuberance and freshness in Stone's latest work that convinced the American Institute of Architects committee, charged with finding an architect for the U.S. State Department, that Stone was the man to design the Brussels pavilion. When he first visited the site two years ago, it was little more than a grassy, willow-studded park, staked out in a triangular plot, between the areas reserved for Vatican City and the U.S.S.R. Characteristically, he began sketching his design on the spot, seized on the site's natural amphitheater contours...