Word: architectes
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Dates: during 1950-1959
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...decades the men of modern ' architecture and design have been perpetuating a plain world made of the cube, the cage and flat glass. Now they have begun to find their world pretty stark. Seeking inspiration for more richness, variety and delight, designers and architects have developed a new, absorbing interest in the fanciful work of men they once scorned and reviled, including a relatively obscure Spanish architect named Antoni Gaudi. For a report on this forward-through-backward trend, see ART, New Art Nouveau...
Architecture Is Sculpture. Most dramatic example is the revival of interest in the buildings of Barcelona Architect Antoni Gaudi (TIME, Jan. 28, 1952), whose work in the early decades of the century would have rated him a place on the couch in midcentury. Precisely because Gaudi's work stands opposed to the main line of development taken by contemporary architecture, Manhattan's Museum of Modern Art this winter staged a two-month-long exhibit of his work (see color page), discovered that it had a popular, stimulating and controversial show. Said the museum's director of architecture...
Manhattan architects, who swarmed to the museum's exhibit, came away impressed but perplexed. What lesson did Gaudi's flowering masonry buildings teach in the age of steel beams and plate glass? Guggenheim Museum Director James Johnson Sweeney thought he knew part of the answer. Said he at the museum's standing-room-only symposium: "Gaudi points the way not through a restatement of Gaudi, but by restatement of his method of approach. He has brought home the value of architecture as sculpture." Critic Henry-Russell Hitchcock, who with Architect Philip Johnson kicked...
Stinson speculated that, since the University was investing so much money in the project, it would want a voice in its control. Hugh A. Stubbins, Jr., architect for the theatre, was unavailable for comment, as he is in Europe studying theatre design...
When Seagram's moved into the first nine floors of its house last December (the rest of the building, now 90% rented, will be ready in May, the large ground-floor restaurant in August), Mies van der Rohe proudly announced: "This is my strongest work." Says Architect Scout Phyllis Lambert: "You feel its force and restfulness as you enter. From the framing of the windows to the total building, love has gone into it-love for every detail...