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Henry Rosovsky, former dean of the Faculty, Corporation member and architect of the Core Curriculum, said it best...

Author: By Matthew M. Hoffman, | Title: Harvard in the Eighties ...350 and Counting | 12/16/1989 | See Source »

...This is exciting," he tells his architect, surveying the half-finished plaza he has conceived as the social center of the new community he is building. "Have you done the guardhouse? Let's go see the guardhouse." Singh is minutely attentive to aesthetics, even with interest costs and overhead running $30,000 a day. The guardhouse, it turns out, is coming along nicely, except for some ugly screens, which Singh promptly removes from the muntined French doors. He peers at a Government facility up the road: "Now we gotta get the Navy to straighten out the Stalag 13 look there...

Author: /time Magazine | Title: Key West, Florida Pritam Singh's Strange Career | 12/11/1989 | See Source »

...tail fins. The style captured an attitude of innocent adventure in a TV fantasy of stucco and neon. Could Wally and the Beaver come to serious harm in a drive-in with a giant ice-cream cone for a roof? George Jetson, it seems, could have been the master architect of the whole doo-wop decade. Granted, one thing to be said for those stylistic oddities is that they extended a warmer welcome than much of today's franchised glitz. Says Arthur Krim of the Society for Commercial Archeology, which studies America's commercial history: "To look at a diner...

Author: /time Magazine | Title: Design: Tacky Nostalgia? No, These Are Landmarks | 12/11/1989 | See Source »

...project's architect, Rob Shutler, said hisfirm, Hartman-Cox Architects, was satisfied withthe project's outcome, despite the museum'simpatience with the construction delays...

Author: By Johanna B. Berkman, | Title: Harvard Celebrates Gallery Opening | 12/2/1989 | See Source »

...Wexner, Eisenman teamed up with the far more conventional Columbus architect Richard Trott ("I went in for the touchdown, and Dick was the blocking back who knocked guys over"). The building is certainly the best work of his career, an intense, almost out-of-control collage of materials and forms. "There's no question that this is my most completely realized building," he says. "In a sense it's my first building." He still would not want to live in any of the houses he's designed (his home is an 18th century cottage in Princeton...

Author: /time Magazine | Title: Design: A Crazy Building in Columbus: Peter Eisenman | 11/20/1989 | See Source »

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