Word: architecting
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Indeed it was. Union Station's architect, Daniel H. Burnham, operated on a simple motto: "Make no little plans." He modeled his beaux-arts palace on Rome's Diocletian Baths and the triumphal Arch of Constantine. When it opened in 1907, luxuriously appointed with mahogany, crystal, brass and marble, its 760-ft.-long, 45-ft.-high concourse was the largest room in the world under a single roof. Niches in the façade held carved avatars of fire, electricity, agriculture and mechanics, each weighing 25 tons...
...uniform corporate look originated in Germany before World War I. Its pioneer was AEG, the nationwide electric company, which began as a manufacturer of light bulbs, soon made electric appliances and, by 1928, controlled mines, railroads, rolling mills and airplane plants. Peter Behrens, a painter, graphic artist and architect, who also gained a reputation as a designer of type faces and industrial products, created AEG's distinct, although by now somewhat antiquated rendition of its initials...
...Kirklander (Peter Fonda). An incredible synthesis of Jim Jones, the Reverend Moon, and Jesus Christ. Kirklander completely dominates his followers lives. At a spacious country estate, he entertains his "guests" in barrack-like dorms and large meeting rooms (With its white-stone facade, the compound looks more like an architect's model than a religious center) They dine on protien-free "moon-food" and meditate a lot. With a surprising lack of resistance. Danny succumbs almost eagerly to the mindless ecstasies Kirklander and Rebecca offer...
...your review "Blood Relatives" [Aug. 9] you say that our brother Alexander Pasternak was a member of Stalin's secret police, the Cheka. As an architect who designed one lock of the Moscow-Volga Canal. Alexander was employed by the Commissariat of Internal Affairs (NKVD) in 1936. The NKVD not only controlled all construction projects, like the canal and the metro, but had also taken over the functions of the Cheka. Accordingly, the NKVD uniform that Alexander was obliged to wear carried unpleasant associations, associations he detested because he was afraid of one department being confused with another, more...
PHILLIP DIMITRIOUS, the protagonist in Paul Mazursky's Tempest, is by most standards a very successful man. As a New York architect, he designs fantastic casinos for his mobster boss. He is married to Antonia, an acclaimed actress still the object of others' desire. His daughter, Miranda, is completely immersed in the complexities of pubescent pop culture, complete with movie-star worship and bad imported music...