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When architectural luminary Le Corbusier first visited Cambridge 45 years ago this fall, he came to begin work on a home for the practice and instruction of the visual arts at Harvard. With his characteristic black glasses sitting upon his beaked nose, Corbusier’s arrival marked not only...

Author: By Christian A. Stayner, CONTRIBUTING WRITER | Title: Corbusier On A String | 11/19/2004 | See Source »

At the centerpiece of the project is a historically-inspired “meta-opera” filmed in situ within an “architectural extension” that has taken shape between the Carpenter Center’s pilotis. A 20-minute film version of that production?...

Author: By Christian A. Stayner, CONTRIBUTING WRITER | Title: Corbusier On A String | 11/19/2004 | See Source »

Along with a nearly inaccessible sunken courtyard adjacent to the Fogg Museum, these unrealized elements are Corbusier’s innovative failures: interstitial spaces that have been, for the most part, either forgotten or disused. It is here that Hughe’s work thrives, arresting and revealing the gaps...

Author: By Christian A. Stayner, CONTRIBUTING WRITER | Title: Corbusier On A String | 11/19/2004 | See Source »

Take your understanding of the Carpenter Center to a whole new level with a multimedia extravaganza involving architecture, film and, of course, “puppet opera.” The Carpenter Center is the only building in North America designed by Le Corbusier. “Huyghe + Corbusier: Harvard...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

Floyd’s Harvard: An Architectural History discusses President Lowell’s reluctant confession of the impact of Mrs. Widener on the architectural plans: “Mrs. Widener does not give the university the money to build the library, but has offered to build a library satisfactory...

Author: By Kristina M. Moore, CONTRIBUTING WRITER | Title: Is Sex at Harvard Set in Stone? | 11/12/2004 | See Source »

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