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Word: architecturee (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Now, Harvard Real Estate may not care how many freshmen are mugged or how many upperclassmen are run over en route from the River Houses. But I would think someone there would notice that, with all the concessions HRE promises to meet such worries, the hotel will hardly be an...

Author: By M. DAVID Samson, | Title: Hotels | 1/13/1989 | See Source »

Though they included such historic military sites as New Jersey's Fort Dix, there is no question that the bases on the commission's roll call had outlived their strategic purposes. San Francisco's Presidio army base, for example, was once a crucial Pacific outpost where officers were trained during...

Author: /time Magazine | Title: Taps For Old Bases | 1/9/1989 | See Source »

Last summer's well-hyped Museum of Modern Art exhibit devoted to the anxious, determinedly unlikable architecture called deconstructivist was the signal design event of 1988. Not, as its enthusiasts hoped, because it galvanized the profession and fascinated the public, but because it was so anticlimactic, a bust. We have...

Author: /time Magazine | Title: Design: Best of '88 A Compelling New Modernism | 1/2/1989 | See Source »

In the figure drawings nothing is sentimental or overwrought. Naked or dressed, their model -- commonly his wife Phyllis -- inscribes herself on one's view without ceremony. Her poses seem fallen into, not directed, as natural and unaffected as could be. But what holds one's eye is the resolution Diebenkorn...

Author: /time Magazine | Title: Art: Richard Diebenkorn's Drawings, The Decisive Line of a Master | 12/12/1988 | See Source »

Arcadia was the humanist's Club Med. In it, nothing happens. Shepherds and nymphs, young soldiers and scholars, madonnas, saints and animals loll about in a state of pure being, with no future tense. Arcadia has ruins, sometimes quite grand ones -- as in Claude Lorrain's classical revisions of the...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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