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Word: archly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Written by Hopper, Fonda, and Terry Southern, arch prostitute at large, Easy Rider inherits from the Western a large quantity of corn, what intellectuals like to call folk poetry, and a simplistic moral schema. There are good guys, like Captain America, drooled over in infatuated close-ups, and bad guys, the yahoos of the South and over-thirty America in general. The good guys are warding off the yahoos (a young commune member prays to God "Thank you for a place to make a stand.") Billy and Wyatt die because they are free, like all good guys. (Hanson says: "They...

Author: By Joel Haycock, | Title: Easy Rider | 8/12/1969 | See Source »

Even before any players appear on the Festival stage, the audience is confronted by balance in the form of Ed Wittstein's setting. In upstage center stands an imposing depressed segmental arch suggestive of some oversize fireplace. Its Ionic flanking columns hold up a gabled brick wall, with a set of cyma recta consoles supporting a three-arch window that sheds lambent light through its variegated diamond panes. Some distance to the right and left of this centerpiece are placed smaller diagonal arched doorways. When the garden scenes arrive, a section of brick wall and a bench roll in symmetrically...

Author: By Caldwell Titcomb, | Title: 'Much Ado About Nothing' Brightly Revived | 7/3/1969 | See Source »

...dissolves, the gross use of filters to turn day into night, are rarely used today. Moreover, the local color is often put in by rote, as when Milo philosophizes, "Cities 'n' houses . . . come between us 'n' God," or when George addresses the camera in an arch epilogue. Yet The Fool Killer remains valid for two reasons. In its picaresque exploration of a naive, vanished America, it meanders into the Twain tradition of American fiction. And in its stinging exploration of God-haunted gothic territory, it demonstrates that no ethnic group has ever had an exclusive hold...

Author: /time Magazine | Title: Cinema: Gothic Legend | 6/27/1969 | See Source »

Preposterous as it now sounds, this arch-enemy of jargon and cant almost became an attorney. Perhaps he thought the law would satisfy those obscurantist tendencies which later found their gratification in an extensive collection of the least-known 18th century American writings. Until the spring of his senior year. 1949, he was set to be a lawyer; then he changed his mind, turned down a place at the Law School, and went off to study history at Columbia. Back at Harvard a year later, still desulting about, he fell under the spell of Perry Miller. For a decade that...

Author: By Charles F. Sabel, | Title: Alan Heimert: The 'Idea' at Eliot House | 6/12/1969 | See Source »

...have just discovered that the historical establishment has suppressed a fact." The eyebrows arch, the mouth snaps into the inane puppet grin familiar from the back of cereal boxes. He is the professor...

Author: By Charles F. Sabel, | Title: Alan Heimert: The 'Idea' at Eliot House | 6/12/1969 | See Source »

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