Word: arcs
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With half an hour to go one evening during her vigorous portrayal of Joan of Arc in The Lark, Broadway's Actress Julie Harris (TIME, Nov. 28) threw herself into an all-too-real fall onstage, split her lip in sideswiping a footstool. The curtain was rung down for ten minutes, while three doctors recruited from the audience made temporary repairs on Julie. Then, amidst bravos, she finished the play. After that, Julie had eight stitches made in her lip, was almost as good as new at next day's matinee...
Died. Lieut. General (ret.) Stafford LeRoy ("Red") Irwin, 62. onetime (1950-52) commander of U.S. forces in Austria, commander of the 5th Division, which formed the southern arc of the pincer that captured the French city. Metz, in World War II; of a coronary occlusion; in Asheville...
Giant Abstraction. Julie would be the last to agree with the Barrymore boast -but the dare was exciting. Last week on Broadway she took it. She opened as Joan of Arc in Lillian Hellman's adaptation of The Lark from the French of Jean Anouilh. Her previous roles, no matter how complex, had kept within the limits of "colloquial drama." She had played people of life size in a theater of the norm, and she had only to cut herself to make her characters bleed. Joan, however, was not merely a human being, into whose feelings an actress...
...night audience fell into a tense and unaccustomed hush. They liked Julie's nerve, but they feared her fate. They remembered, too, the Joans of Katharine Cornell (1936), of Ingrid Bergman (1946) and of Uta Hagen (1951). Could Julie top them? The auguries had been uncertain. "Joan of Arc was put into history," one critic had said grandly, "so that Julie Harris could play the part." However, the play had proved a flop in London with another Joan, and the table talk at Sardi's had it that Julie "hasn't got the diaphragm for these...
Maurice de Sully was a practical dreamer with a vision almost as striking as that of another French provincial, Joan of Arc. Though his chiefs of staff were two unknown master builders, the grand design of Notre-Dame as it stands today was largely his. He raised the money (the cathedral eventually cost the 1955 equivalent of $100 million); he met the payroll and disciplined the work force (some 1,000 masons, metal smiths, carpenters, etc.); he personally selected leading artists and chose the subjects of the complex iconography. And he took fresh architectural gambles. The ceiling of Notre-Dame...