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...dissolve this self in allegiance to something greater. He scorns the esteem of men, for the honor which only the gods can confide. He will have honor from Zeus. His vision is the expression of his inner gloriousness. The Hiad presents us with two central heroic requirements: towering ardor of will, and a vision of immensity. The former loves the world, the latter seeks to scorn it. The ardor of will (not simply pride) demands action; the vision involves adoration of something transcendental. The gods, which were both transcendental and a figuring forth of man's own greatness, were profoundly...

Author: By M. CHRIS Rochester, | Title: Antony and Cleopatra and Others | 5/7/1970 | See Source »

...greatest woman's role in drama, seemed more afraid than madequate. Snyder lapsed into manneristic anger, often indulging in worthless shouting; Miss Yakutis lapsed into the torpor rather than the lightning of a serpent, and was manneristic in her fire. Neither penetrated to the fire of the heroic ardor of will, the incandescent poignancy of love. A line shouted is a line destroyed. Neither actor was able to go beyond the lines to the poetry-to the rhythm of jealousy, scorn, fear, shame, love, and deliverance...

Author: By Chris Rochester, | Title: The Theatregoer Antony and Cleopatra at the Loeb through May 9 | 5/2/1970 | See Source »

...girls who cannot turn the pages of a book without developing a crush on its author. Writer Alec Kooning (Kevin O'Connor), urbane, 50, short of wind and past the crest of his talent, cannot receive an adoring letter from such a girl without replying in grateful ardor. Females being females, with their minds "half on virginity, half on the game," Janet maneuvers her hero into a meeting...

Author: /time Magazine | Title: Theater: Swinging, Sophisticated Party | 4/20/1970 | See Source »

Like all decent/indecent Restoration comedies, the play cuts to the chase, the chaste and the unchaste. The masquerading Master Aimwell (Ronald Pickup) pursues Dorinda (Sheila Reid) with lofty ardor. They are a fluttery pair, brimming with sentiment and much given to pledges of undying affection and confessional honesty. The masquerading servant, Archer (Robert Stephens), has the cool, calculating charm of an accomplished womanizer. The woman he now wants, Mrs. Sullen (Maggie Smith), has had but one melancholy tutor: her husband. He is an alcoholic brute who keeps her in the country when her only heaven is London. As the chase...

Author: /time Magazine | Title: Theater: Were Man but Wise | 2/2/1970 | See Source »

Apprehensions and Rumors. This year Russians looked forward to Stalin's 90th birthday with none of the fabricated ardor of 1949, but with some apprehension. Dissidents warned that this decennial might be made the occasion for a full-scale rehabilitation of Stalin, and some feared that this would be accompanied by an increase in repression. They pointed to the gradual refurbishing of the dictator's image as a wartime leader, particularly in such military memoirs as Marshal Georgy Zhukov's. They also noted that the growing movement for civil rights and for increased intellectual freedom...

Author: /time Magazine | Title: World: Unhappy Birthday | 1/5/1970 | See Source »

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