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...Nevertheless, Dirksen's filibuster, powered by a hard-core coalition of some 38 Republicans and southern Democrats, seemed insurmountable, for the Administration could not possibly muster the two-thirds majority (67 votes) to invoke cloture. So, unable to stop the show and concerned that it might prove too arduous for elderly Senators, Majority Leader Mike Mansfield ruled out the seriocomic, all-day-all-night marathons of filibusters past. "The opposition to repeal is such, and the rules of the Senate are such, that a final disposition of 14(b) can be delayed for weeks or months," declared Mansfield. "That...

Author: /time Magazine | Title: The Congress: Ev's Extendalong | 10/15/1965 | See Source »

...Levi, a young Italian Jew who had been interned for two years at Auschwitz and the nearby slave-labor camp of Buna-Monowitz. In an earlier book, If This Is a Man, Chemist-Sociologist Levi recalled his imprisonment in chilling detail. In this reflective sequel, he tells of his arduous return to life. With jovial inefficiency, the Russians shunted him from camp to camp, finally sent him off on a ramshackle freight train that wandered erratically for 33 days across six countries before setting him down at last in sunny Italy. The journey had its bits of humor: Captain Egorov...

Author: /time Magazine | Title: Books: Current & Various: Sep. 17, 1965 | 9/17/1965 | See Source »

...replaced nearly all of Adlai's aides, the President offered neither explanation for the change nor praise for their past performance. That task fell to Goldberg, who paid graceful tribute to Stevenson's "old guard," adding: "We did not feel we had the right to exact further arduous service from people who had done so much...

Author: /time Magazine | Title: The Administration: Goldberg's New Guard | 9/3/1965 | See Source »

...played by Spanish Matador Miguel Mateo, 26, known to aficionados as Miguelin, who gives the role a surly, feverish immediacy that sometimes lacks subtlety but never lacks sting. The quasi-fictional Miguelin has no dream of glory at the outset. A spunky, mop-topped Andalusian peasant, he flees the arduous life on his father's farm, drifts into that gypsy band of hot-eyed hopefuls who haunt every Spanish bull ring, courting fame with a scarlet muleta. Before a bull's horns end his short unhappy career, he attains wealth, loneliness, a retinue of greedy hangers...

Author: /time Magazine | Title: Cinema: Spanish Passion | 8/20/1965 | See Source »

Szigeti's reason for choosing the violin as his vessel is "the irrational pleasure that communication gives: communication that transcends the barriers of language, of nationality, of race." And he feels that other performers are attracted to the arduous profession for the same reason. Szigeti was made conscious of the rigors of communication because he had to translate everything from the relatively useless Hungarian of his youth. For him, the translation from written notes to sounds is entirely analogous. And it allows him to communicate with whomever he encounters en chemin...

Author: By William A. Weber, | Title: Joseph Szigeti | 7/26/1965 | See Source »

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