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More subtly, Identities makes the Asian-American experience an undercurrent to multiple segments of the show. The clothes are from a broad spectrum of sources: student designers, local thrift stores, Harvard Square and Boston boutiques, and national brands that are not necessarily connected to the minority community.

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Though originally conceived as a direct portrayal of Asian-American experience—the first show being partly set in San Francisco’s Chinatown—Identities has developed a different relationship with this community in the past two years. Another creative director Jane Chun ?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Within an increasingly crowded and competitive field of student groups, these fashion shows find their affiliations with cultural organizations and institutions a great financial asset. Last fall Project East, committed to remaining an entirely Asian-American and Asian enterprise, was sponsored by the Reischauer Institute, which supports research on Japan...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Similarly, the Harvard China Winter Service Program is one of a dozen sponsors for Identities this year. “A lot of these places actually sponsor us because we are Asian-American,” says Lee.

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

By now, Eleganza can lean more on its establishment; it regularly attracts over 1,500 students each year, books stars like Jadakiss and Fabolous, and garners national attention—as the April 2010 issue of Teen Vogue demonstrates. Olamide E. Oladipo, an associate producer for Eleganza who oversees finances...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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