Word: ares
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Dates: during 1960-1969
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Some people call us obsessive. We are. The elements of our oppression, the invisible bars on our cages, are everywhere, and there is no escape. But the obsessive, uncompromising exposure of the oppression is our way of heading toward liberation. And that is what we want.
Evidently, the Journal is to serve as a manifesto and handbook for potential women liberators. Its opening editorial tells, step-by-step, what action a woman must take to liberate herself. Among these steps are: meet regularly with a group of women for education and support: learn judo or karate...
UNFORTUNATELY, this explanation of the "female principle" does not appear until late in the Journal. Before it appears, the magazine seems to be a messy collage of radical cliches. Articles like "The Oppression of the Male Today" and "Contemporary Capitalism; Drag Queen Intellect" are bitter, weary laments against the system...
Though the art forms are present, art, for the most part, is not. The general failure of the literature is akin to the failure of socialist realist literature. Art and ideology are not incompatible when either the art is crafty enough to slip the dogma in unobtrusively, or the ideology...
Myrna Lamb in her play is painfully, unrelentingly didactic, but one has to admit she uses a very original, if very weird, dramatic idea. She wants to show that pregnancy, especially the accidental kind, is terrible, and that men don't usually realize it. On stage is a woman doctor...