Word: aretha
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Dates: during 2000-2009
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...avian: mallard duck colors, dark, paneled wood and forest green walls. The place oozes elegant opulence, a throwback to the rich history of its home at the Willard Intercontinental Hotel, the "residence of presidents." A steady stream of mainstay figures in American history - Abraham Lincoln, Nathaniel Hawthorne, Bill Clinton, Aretha Franklin, Elizabeth Taylor and Barack Obama, to name a few - have tread the halls of the Willard and frequented the Round Robin...
...Running Atlantic Records with Ahmet Ertegun, Jerry Wexler, 91, launched the pop careers of R&B giants Ray Charles and Aretha Franklin, made a crossover star of Bobby Darin, kept the Drifters a top act through ever-changing personnel and in the '70s signed the Rolling Stones and Led Zeppelin. Wexler produced Dusty Springfield's Dusty in Memphis LP and Bob Dylan's first Grammy-winning album, the 1979 Slow Train Coming...
...Quigley ’09 and her band. Between performances, audience members competed in a trivia contest to identify famous female musicians, answering questions such as, “Who was the first woman inducted into the Rock and Roll Hall of Fame?” The answer: Aretha Franklin in 1987. Although the lead performers were all women, many men came to see the Women, Rock! show, including Seth A. Pearce ’12. “It was the only reason I came,” Pearce said. “I think it?...
...Billboard reporter who coined rhythm and blues to replace the category "race music" on the magazine's charts. With Ahmet Ertegun, he co-piloted Atlantic Records, once saying the label made "black music for black adults." But that underestimated the impact of the classics he produced--Aretha Franklin's Respect, Percy Sledge's When a Man Loves a Woman, Wilson Pickett's In the Midnight Hour and The Genius of Ray Charles. When I was president of Columbia Records in the late 1960s and early '70s, signing Janis Joplin, Santana and Earth, Wind & Fire, I knew I had come...
...overarching theme at all. While reading the essay about Super Bowl XL in Detroit, I was not at all sure how describing Stevie Wonder as a “playful, gigantic black baby who has absorbed all terrestrial sounds and language in a single gulp” or Aretha Franklin as a “300-pound mountain of congealed hurt” was at all relevant to his broader message about anomie...