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Word: argenta (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Died. Ataulfo Argenta, 44, Spam's top conductor, who got into hot water (in 1954) for deploring his country's musical isolation under Dictator Franco ("There is only one alternative: renovation or death"), later recanted to save his job; of a heart attack; in Madrid...

Author: /time Magazine | Title: Milestones, Feb. 3, 1958 | 2/3/1958 | See Source »

...Ataulfo Argenta, Spain's No. 1 conductor (TIME, July 13), was in hot water. At the invitation of Madrid's literary magazine Ateneo, he had written out his views on the state of modern music in Spain-and candidly compared two highly delicate periods, 1922-36 (before Franco) and 1939-53 (after Franco...

Author: /time Magazine | Title: Music: Comradely Criticism | 3/15/1954 | See Source »

...political and art circles were shaken. Any comparison between "before" and "after" should conclude with words of praise for "after" in today's Spain. Infuriated composers were only too happy to plunge the matter headlong into politics. Even blind Maestro Joaquin Rodrigo, the only Falangist composer esteemed by Argenta, wrote: "Argenta is definitely wrong. A good Spaniard has the duty as a musician and comrade to keep faith in the music of his country...

Author: /time Magazine | Title: Music: Comradely Criticism | 3/15/1954 | See Source »

Faced with the loss of a hard-earned position, i.e., conductorship of Spain's National Orchestra, Argenta composed a second declaration. He was distressed. He apologized. He humbly affirmed that he was a musician and no writer. Perhaps, he explained, this accounted for the fact that he wrote something he really did not mean. His only aim had been to push and incite Spain's composers towards better production. Moreover, he had always been a convinced Falangist who "owes his personal peace, the peace of his family and the peace of his country to Franco and the Falangist...

Author: /time Magazine | Title: Music: Comradely Criticism | 3/15/1954 | See Source »

Impresario Sol Hurok, who attended every performance of the festival, called Argenta & Co. "one of the finest orchestras in Europe," announced they should be brought to the U.S. "I am," he added, "going to try to give them a chance...

Author: /time Magazine | Title: Music: Floodlights on the Alhambra | 7/13/1953 | See Source »

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