Word: aria
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Dates: during 1960-1969
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...gross and extravagant liberties with it, Handel is partly to blame. A shrewd businessman, he ensured The Messiah's success by hiring the best and most popular singers in 18th century London to sing it. If the bass singer was not very good, Handel would turn the bass aria into a recitative, rewrite it for an alto or even a soprano. For flexible soprano voices, he would doll up the music with ornaments and, if another soprano complained, he would steal a few arias from the first soprano and slip them to the second. To further befuddle historians, Handel...
...less courageous and persevering opera devotees headed for the exits, but most stayed on to hear the diva finish with the phrase addio senza rancore (goodbye without regret). "We never missed a note," said Dorothy proudly, "but I kept thinking about those last words in the aria...
...performance; it just leaves a great deal yet to be explored. The problem of Masha's and Vershinin's drum-roll exchanges ("Tram-tam-tam ... tra-ra-ra"), the shortest mutual love scene ever written for the stage, has been effectively solved by substituting complementary phrases from the aria "All men should once with love grow tender" in Act II of Tchaikovsky's opera Eugene Onegin...
William Glover's mustachioed and goateed Exeter is solidly spoken, and Herb Davis' Burgundy performs his performs his peace-making aria sonorously. But there is much more in Fluellen and Gower than Joseph Maher and Barry Corbin have yet found in them...
...GANT sings the desperate voice. He establishes a convincing by the honest, open tone of his voice and by conveying the subtleties of the character's progress to painful selfawareness. The voice is in a different psychological state in each aria, thanks to Gant's emotional inflections, but it always belongs to a consistent individual...