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Several instrumental soloists distinguished themselves, among them: flutists, Sue Alder and Cynthia Crane in the "Et misericordia" and "Esurientes" sections, and Michael Senturia, who played the oboe obligato during the soprano aria, "Quia respexit." The string section as a whole produced remarkably good intonation and tone quality. It is not surprising that the chorus was not quite up to the caliber of the orchestra since the singers were all freshmen. An unfortunate case of extreme flatting occured in the course of the woman's chorus "Suscepit Israel...

Author: By Bertram Baldwin, | Title: Gabrieli and Bach | 4/16/1957 | See Source »

...gambler's dark shirt and the cheap Sunday suit of a Sicilian villager, Tucker swaggered about the stage in response to broken pleas from Santuzza (well sung by Veteran Zinka Milanov). He powerfully thundered forth his challenge to Alfio, husband of his mistress, and in the final great aria movingly sang his farewell to his mother, the sure delicacy of his voice topped off by his rough parting cry: "Un bacio, mamma, addio!" After the intermission, the other local man showed up in Pagliacci, costumed in disreputable red wig, striped T shirt and ill-fitting green jacket. Leonard Warren...

Author: /time Magazine | Title: Music: Two Home-Town Boys | 4/8/1957 | See Source »

...grinding of the cylinders was still clearly audible to the singers on the stage. Mapleson ran his machine intermittently for two or three minutes, shutting it off when the singers below moved out of the horn's direct line of hearing. He also lost many a fine aria simply because of the delicacy of his machine: the slightest vibration in the vicinity was enough to break the fine connection of needle with...

Author: /time Magazine | Title: Music: Voices from the Past | 2/11/1957 | See Source »

...arrived in a carriage drawn by several men in tail coats and top hats. Thus prepared, the audience was scarcely surprised to see Sarastro roaming the Temple of Wisdom in a business suit, or later sitting on Pamina's bed in a modern bedroom while singing the famed aria In Diesen Heil'gen Hallen with its Masonic message of brotherly love. In the background loomed towers of concentration camps, cages filled with ballet dancers, and an assortment of plain kitchen chairs...

Author: /time Magazine | Title: Music: Socialist-Realist Mozart | 2/11/1957 | See Source »

...muttering little associated fragments of knowledge. Like a boxer staying down for a count of nine, he takes all the time he can possibly get ("Let's skip that part, please, and come back to it"). When trying to identify the character in La Traviata who sings the aria Sempre libera, he half-whispered: "She sings it right at the end of a party given by ... What's her name! Soprano. Her name is like . . . Violetta. Violetta!" Some viewers get the feeling that he knows most of the answers immediately and simply makes the audience squirm...

Author: /time Magazine | Title: TV & Radio: The Wizard of Quiz | 2/11/1957 | See Source »

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