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Word: arias (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Woodworth distinguishes two separate moods in Cantata 51: the gladsome rejoicing of the first aria and the concluding Allelujal, and the quiet, more personal reflections of the second aria and chorale. Accordingly, the orchestra was made to dwindle to the bare continuo in this more intimate section, and Mr. Woodworth himself retired quietly to a vacant chair--somewhat disconcerting abdication in any other concert perhaps, but with Miss Addison as soloist (she who can quell Roger Voisin), there is no discontinuity. She moved from joy to introspection with assurance: and both halves of this bisected cantata joined smoothly into...

Author: By Anthony Hiss, | Title: Early Music: II | 11/21/1961 | See Source »

...trouble looms for Finch when he gets his own "Chinese provincial" executive hot suite as V.P. of advertising. But when he makes silver-dollar eyes at himself in the executive-washroom mirror, and sings I Believe in You, a passionate aria of self-love, it is clear that there will be no doom at the top for Finch...

Author: /time Magazine | Title: Theater: Officemanship | 10/27/1961 | See Source »

...make a film version of one of her most successful operatic roles, Cherubini's Medea. Setting: Milan's La Scala, not far from the courtroom where Maria's estranged husband, Industrialist Giovanni Battista Meneghini, avowedly plans to enliven an upcoming legal separation trial with an angry aria on La Callas' "wanton search of happiness that she should realize she will never regain...

Author: /time Magazine | Title: People: Aug. 11, 1961 | 8/11/1961 | See Source »

...Halasz, and with a fine lead performance from Tenor Giuseppe Campora, the opera emerged at least in parts as the melodic masterpiece that the French have come to regard it (the Paris Opera-Comique has it in its regular repertory, as does La Scala). Outstanding were the fine tenor aria in Act I familiar to Caruso fans ("Je crois entendre encore"), the thunderous and majestic choral hymn of vengeance in Act II, a rhapsodic and haunting baritone aria...

Author: /time Magazine | Title: Music: Bizet Before Carmen | 7/21/1961 | See Source »

...dinner Elsa got one up on Hedda by taking over the piano to play Cole Porter tunes, accompanied by Rainier on drums. Then Ari bellowed the theme song (in Greek) from the movie Never on Sunday, while La Callas rattled the maracas but declined requests for an aria...

Author: /time Magazine | Title: Majorca: The Monaco Touch | 7/14/1961 | See Source »

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