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Word: arias (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...father is a tenor and plays the trumpet. Ann Denbow, 21, of the New England Conservatory of Music, grew up in Ashley, Ohio, playing the piano, singing and dancing. Now, after besting 50 other voice students to be the conservatory's commencement soloist this year (with an aria from Mozart's The Abduction from the Seraglio), Denbow has her heart set on an operatic career-but she is realistic about her chances. "Sopranos are a dime a dozen," she says. "You just hope that you stick with it long enough that the others will have given up." Having...

Author: /time Magazine | Title: Education: Let's Hear It from the Class of '77 | 6/13/1977 | See Source »

...about a train journey across the map of the U.S. that contains every old movie cliche, engrained national myth, sentimental hyperbole and travel-brochure bait ever known to a British tourist, or to many an American for that matter. As Brooke masterfully delivers it, this becomes a manic poetic aria of cumulative exhilaration...

Author: /time Magazine | Title: The Theater: Unstoppable Stoppard | 1/24/1977 | See Source »

FRENCH OPERA ARIAS; FREDERICA VON STADE (Columbia). The U.S.'s current operatic sweetheart gives a few lessons in what the French aria is all about...

Author: /time Magazine | Title: Music: The Year's Best | 1/3/1977 | See Source »

Hand Cranks. Finally, the Count's aria ended. Solti scurried to the conductor's dressing room. It was an opportune moment to abandon the podium, because the opera had moved into a recitative section. Thus while Figaro was discovering that he was the long-lost son of two people he could live without, Solti was holding cold compresses to his head. Like the seasoned pros they are, the members of the orchestra began the subsequent sextet by themselves. His arms beating as he ascended into view, Solti returned to his place. His wound turned out to be minor...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

...course, not talking about bringing back the good old days when a Caruso would stride forward, plant his feet squarely behind the prompter's box and, as it were, deliver his aria in person. When Strehler puts a soprano at her ease, or when he positions a chorus so that it does not have to shuffle around the stage while performing, he does it with logic and a convincing illusion of action. At his best, he preserves and freshens the essence of an older work. Says he: "That point of contact between past and present is fleeting. Often...

Author: /time Magazine | Title: Music: Unlocking the Essence of Opera | 9/20/1976 | See Source »

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