Word: arias
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...bore them? Bertolucci commits the ultimate cinematic crime: his film is stultifying dull. Luna excites little besides yawns and the desire to leave the theater. By the time Jill Clayburgh has mouthed her last aria, most of the audience at the Sack Cheri were long gone. Approximately two hours, Luna seems an eternity spent in limbo. Hell, in the form of a truly low-grade bad movie would have been more exciting...
...that was only backstage. Pavarotti, who is conscientious and meticulously punctual when he finally gets down to business, clashed at rehearsal with his costar, Soprano Renata Scotto, over her lateness and somebody's fluffs (whether hers or his was part of the dispute). They even stopped in mid-aria to exchange words not found in the libretto. On the day of the gala opening, Scotto received a letter warning that a claque was planning to boo her. It was signed "Enzo Grimaldo," the character played by Pavarotti. Scotto's husband accused Pavarotti of sponsoring the claque and alerted Adler...
...Scotto's performance. Possibly unnerved by all the squabbling, she was not at her best vocally or dramatically. Pavarotti came through splendidly. Playing a 17th century nobleman who is enmeshed in a conflict with the Venetian Inquisition, he made bold entrances in full cry. His spacious second-act aria, Cielo e mar, which used to serve Caruso well, was traced in long, limpid lines that glowed with emotion. ins voice soared out of the big ensembles, seeming to carry the chorus into the air with him. At the curtain, Scotto took a single bow, then retired to her dressing room...
...second performance. It took him three years to overcome that anticlimactic beginning at the house. But when he did, in a production of The Daughter of the Regiment with Sutherland, he set New York on its critical ear with a spectacular series of nine high Cs in a single aria. With no little help from the publicity mills, Pavarotti the supertenor...
...young Italian soprano arrives from Udine with her American husband to audition for Pavarotti. After an aria and a few exercises, he says he cannot evaluate her voice because her notes are produced from the chest without proper support. "A baby crying is a perfect demonstration of correct vocal technique," he tells her. "The baby chooses a note that is comfortable and can cry all night without tiring or getting a sore throat. Why? Because it produces the sound in the natural way, by pushing it up from the diaphragm...