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Word: arias (lookup in dictionary) (lookup stats)
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...aria and buskin yielded to the sock and tassel. In 1854 someone rented the stage for an exhibition of live Indians. Pentland's Circus and then a group of Chinese jugglers followed. During this transition period touring features such as Zavitowski's Juvenile Ballet still played the Athenaeum. By 1868, though, only cheap variety shows appeared; and the name of "Old Howard," already in common use, was officially adopted...

Author: NO WRITER ATTRIBUTED | Title: Circling the Square | 12/10/1943 | See Source »

...beat drums. He played football, was on the third varsity crew. He was theater critic for the Yale News. As "The Meyer Davis of Yale," he organized some five dance bands, one of which he took on 22 Atlantic crossings. One night he heard Tito Schipa sing an aria and decided to be an opera singer. By 1936 he wangled an au dition at the Metropolitan, but when he discovered the small size of his starting salary, he gave in to an offer to appear in the Elsa Maxwell-Leonard Sillman...

Author: /time Magazine | Title: The New Pictures, Dec. 6, 1943 | 12/6/1943 | See Source »

...content herself with charming some comic local lackeys and an eager Broadway producer (Walter Catlett). At last, at a Butlers' Ball, she utters some high notes which pierce the heart of her brother's boss. She also sings a slice of hickory-smoked Victor Herbert and an aria from Puccini's Turandot with her familiar verve. But as the verses go on, on, on and, by way of variation, on, some customers may feel that Art is the longest distance between two points...

Author: /time Magazine | Title: The New Pictures, Nov. 29, 1943 | 11/29/1943 | See Source »

Soloist for the evening was Phyllis Smith (of Wellesley College) whose rendition of the "Recitative and Aria 'Dove Song'" from Mozart's "Marriage of Figaro" was the highlight of the concert...

Author: NO WRITER ATTRIBUTED | Title: MUSIC BOX | 10/1/1943 | See Source »

...Regina Coell (K. 108) written when the composer was only 16 years old. The chorus here demonstrated a great deal of precision and feeling, perhaps because of the smaller group and the superior acoustics of Sanders Theatre. Margaret Codd Goldovsky sang the soprano solo, Ora Pro Nobis, from this aria, with great feeling and expression, although in the coloratura passages of the last movement she seemed still to lack that almost instrumental clarity and agility required for singing Mozart...

Author: NO WRITER ATTRIBUTED | Title: MUSIC BOX | 8/16/1943 | See Source »

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