Word: arias
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...picture accuses her of "bellowing like a cow," the temperamental tigress fetches him a slap in the puss. When somebody urges her not to become violent over Cinemactor Menjou's alleged infidelities, she cries: "Violent! I'll show you how to be violent"-and launches into an aria from Tannhäuser...
...Gold-ovsky's conducting technique shows in many respects the influence of Kousse-vitsky, with the addition, however, of more vigorous motion of the hands in lnd cating the smaller nuances. Fornand Gillet distinguished himself in several difficult oboe, passages, but Mrs. Goldovsky's rendering of the three Mozart arias was somewhat less than Brilliant. Her voice, though warm in tone, was lacking in firmness at times, and seemed strained on the high notes. The extreme range of the first aria, however, (low A to high C) may account for some of this difficulty. Richard Burgin, concert master...
...Bach, were not unduly surprised. But New York Times Critic Olin Downes had had enough. Said he: ". . . More could have been heard had it not been for the extremely lachrymose and dilatory tempi, and the unblushing sentimentalism in interpretation, which almost uniformly prevailed, so that the B-Minor aria with the violin solo sounded like the Méditation from Thaïs. . . . Bach's music . . . stood up surprisingly well under the handicap...
...years the New Friends have played their devotees whole marathons of chamber music: virtually the entire output of Beethoven, Haydn, Schumann, Brahms, Mozart. They have never deigned to relieve the high-brow austerity of their concerts by anything so low-brow as a violin concerto or an opera aria...
...currently starred as a horse-opera hero in Pathé's serial The Lone Rider. ("Those horses bounce the bejesus out of me-I hate 'em.") But Houston has learned things in Hollywood. He takes grand operas in hand, revamps the stories, alters characters, rewords arias-and of course translates them into English. Rossini's The Barber of Seville, now in rehearsal, he telescoped from a three-and-a-half to a two-and-a-half-hour opera (including intermissions), put in spoken dialogue, built up the lesson scene between Rosina and the Count by adding comedy...