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First practical consequence of the Twentieth Century-Fox merger of last summer, Metropolitan includes an aria from The Barber of Seville, The Road to Mandalay and Glory Road in plain clothes, excerpts from Faust and Carmen, all sung by its affable, grape-nosed star with grace, good humor and superb enthusiasm. No better indication of the civilized qualities of the picture could be given than its adroit conclusion. Tibbett, harassed by the strain of running an opera company whose "angel" has deserted it, comes out to sing the prolog to Pagliacci. He does so in grand style to ringing applause...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 28, 1935 | 10/28/1935 | See Source »

...applicants, all of whom were supposed to have had training and to show great promise. Miss Garden selected 51. Nine qualified for scholarships given by such people as Mrs. Charles H. Swift (Soprano Claire Dux) and Mrs. Archibald Freer, who stipulated that her beneficiary must learn and sing an aria from her opera. Joan of Arc. Youngest pupil is a girl of 16, oldest a Chicago concert singer named Marie Zendt, fiftyish. Though Miss Garden began teaching with great gusto and abandon, sometimes slapping a thigh for emphasis, her class last week persisted in feeling too religiously awed even...

Author: /time Magazine | Title: Music: Teacher Garden | 7/8/1935 | See Source »

When George Frederic Handel wrote his opera Xerxes, he little knew that it would owe its fame not to the stage but to churches all over the world where organists swell out the peaceful first-act aria under the name of the Handel Largo. The Saxon composer wrote Xerxes as a comic opera, when he was depressed by Bankruptcy woes in London. To commemorate the 250th anniversary of Handel's birth, Xerxes was revived last week by the State Opera in Berlin and by the music department at the University of Chicago...

Author: /time Magazine | Title: Music: Handel Salute | 2/25/1935 | See Source »

...touching theme of a house on fire: Walter Birge '35 intoned magnificently as the diva reaching new highs of operatic tonsil abuse. Donald Gleason '35 joined in most capably as Miss Birge's singing spouse and Larry Nichols '35 cut an imposing figure as the rescuing fireman. The main aria "I Smell Smoke" was enthusiastically received...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 12/21/1934 | See Source »

...rich protector. He sends her abroad for training. When she returns, Clara makes an operatic sensation. Meantime, her young sweetheart has married her sister. Question: are the roses, champagne, fame and applause worth Clara's sacrifice? Playwright Davis gives a deliberately equivocal dramatic answer. Norma Terris trills one aria competently, does all she can to bring a wooden part in a wooden play to life...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 17, 1934 | 12/17/1934 | See Source »

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