Word: arias
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...Farrar career has always been well planned, from the girlhood day in Melrose, Mass., when Geraldine impersonated Jenny Lind and attempted to dazzle her audience by singing an Italian aria. Her father was a storekeeper who played professional baseball in the summertime. Though money was scarce, Geraldine was determined to be an opera-singer. She studied in Boston and in Manhattan where she stood in line to hear Melba, Calve, Lilli Lehmann, Jean de Reszke. The Metropolitan offered to let her sing in a Sunday-night concert but, even at 16, she wanted something better. She persuaded her father...
...film is all Miss Moore's. The plot is simple and straightforward and has the great advantage of providing Miss Moore with the maximum opportunity for using her voice. She sings all sorts of music ranging from the modern "One Night of Love" to the difficult last act aria of Madame Butterfly all with finished technique and remarkable richness considering that she is heard not directly but by mechanical reproduction. The great success which this film has already enjoyed should convince the movie moguls that good music and capable acting can produce good and profitable entertainment...
...baton." Until the Festival's fourth concert you may have been undisputed on this point, but at that performance, on Friday evening, May 11, the untainted record of the German bandmaster's son was spoiled. It was while Lucrczia Bori was singing Debussy's "Recitative and Aria of Lia," from L'Enfant Prodigitc, that Mr. Stock's hitherto intact baton went sailing in three pieces from his passionate grasp into the ranks of the scraping violinists, one fragment just barely missing a plunge down the low back of the diva's gown. Mr. Stock...
...Traviata the role of the elder Germont is no test for an actor. But Thomas sang "Di Provenza," the one big aria, in model fashion, moved about the stage surely, easily, appeared properly sympathetic with the emotional frenzies of the consumptive Violetta...
Deere Wiman, producer). If Johann Strauss was looking down last week from his waltz-heaven he was probably scandalized at the way little Helen Ford (Dearest Enemy) laced herself into a high old-fashioned corset, powdered herself suggestively and came forth to pipe his pet coloratura aria with comically fluttering eyelids and exaggerated soubrette wiggles. But these things supplied the few bright intervals in this latest of many versions of Die Fledermaus. The plot is the same old one : a rich, stuffy Viennese (Tenor George Meader), sentenced to a week in jail, first takes an evening off, goes...