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Word: arias (lookup in dictionary) (lookup stats)
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...childhood. They were interested in the report of University of Chicago's Biochemist Milton Hanke on a three-year experiment at Mooseheart (Ill.) Orphanage. He found that large amounts of orange juice (at least eight ounces per day) tended to decrease tooth decay by one half. Dr. Henry Aria Honoroff reported that orphans in Chicago's Marks Nathan Home with institutional diet & care and periodic examinations, had teeth 85% healthier than those of public school children...

Author: /time Magazine | Title: Medicine: Dentists in Chicago | 8/21/1933 | See Source »

...slums, Harlem came downtown to welcome her, filled one-third of the house. Tall and good-looking, dark enough to need no makeup in the role of an Ethiopian slave, Jarboro revealed the husky voice of her race, rich in texture, not perfectly schooled. At the end of the aria "Ritorna vincitor" she was recalled three times, not by Negro cheers only...

Author: /time Magazine | Title: Music: Ai'da Without Makeup | 7/31/1933 | See Source »

...Aida, Frederick Jagel, Metropolitan Opera tenor, made his Cincinnati debut and when his first aria rang far out over the Zoo grounds the wisest of the monkeys knew that another season was safely under way, scratched their whiskers eagerly for the intermission peanut feast...

Author: /time Magazine | Title: Music: In Cincinnati's Zoo | 6/27/1932 | See Source »

After three years on the Keith circuit, the sisters returned to Manhattan. Carmela determined to study seriously. William Thorner, her teacher, happened also to hear Rosa who, nothing daunted, undertook to sing the difficult Casta diva aria from Norma. Thorner interrupted her in the middle of it to call in his friend Enrico Caruso. Caruso prophesied that in two years Rosa would be singing with him. Six months later, as Rosa Ponselle, she made her Metropolitan Opera debut. Impresario Gatti-Casazza picked the name...

Author: /time Magazine | Title: Metropolitan's 47th | 11/9/1931 | See Source »

...Merry Widow, The Count of Luxemburg, Gypsy Love). At his debut recital last week (attended by Tenor McCormack and many another musical notable) Tenor Tauber surprised everyone by not wearing his monocle, but he did display the entire range of his versatility. With conventional operatic zest he sang an aria from Mehul's almost forgotten Joseph in Egypt. His loud tones were not always smooth but there was none of the nasal bleating common to most German tenors. Lieder by Schumann and Schubert he sang with expert tenderness, using perhaps too often a pianissimo of exquisite softness. The rest...

Author: /time Magazine | Title: Music: Monocle Man | 11/9/1931 | See Source »

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