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...assumes that Justice Scalia was unavailable.) No matter; the bathing suits stayed, and the pageant remains a context for the exhibition of perfection--that is, if one's view of perfection includes a woman who, upon one's return home, is pounding the piano and belting out an aria from Carmen at the top of her wonderful lungs...

Author: /time Magazine | Title: MY ONE AND ONLY LOVE | 10/21/1996 | See Source »

...little sex. Frollo can't understand his ardor for the Gypsy. Like the Schindler's List commandant with his pretty Jewish captive, the judge both loves Esmeralda and hates the love she makes him feel. Frollo's aria, Hellfire, is a clashing symphony of red and black: crimson-shrouded ghosts line his way to a raging hearth, where he shouts out his twisted passion. This one will be hard to explain to the kids. But then Disney animation, from Snow White to The Lion King, is a parade of grim fairy tales about death, separation, betrayal. Hunchback has new traumas...

Author: /time Magazine | Title: CINEMA: A GRAND CARTOON CATHEDRAL | 6/24/1996 | See Source »

...good case for the latter. So do actors like Rosemary Harris and George Grizzard, who seem to have lived in their roles for years (only Elaine Stritch, as Agnes' boozy sister, betrays a bit of Broadway shtick). When Grizzard drops his air of befuddled decorum for a climactic aria of rage and resolve ("I want your plague! You've got some terror with you? Bring it in! Bring it in!!"), the heart freezes...

Author: /time Magazine | Title: THEATER: TWIN TERRORS | 5/20/1996 | See Source »

Twenty small practice rooms line the hallways of the basement of Harvard's music building. In one, a student monotonously plays piano scales, while the sound of a soprano aria drifts through the walls. In an adjoining classroom, a professor discusses music theory with his students. A saxophone wails at the end of the hall...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

Kate deLima is one of Harvard opera's old reliables--she has been in the Dunster House Opera for the last two years, in addition to several other musicals and operettas. She was the only cast member who was conceivably able to sing the Countess' heavy and melancholy arias; as a junior, she is already a grande dame. For volume and range, her voice was unmatched. Her only deficiency was a certain shrillness or brittleness of tone, which was especially noticeable in her duet with the sweet-voiced Cannon, 'Canzonetta sull'aria...

Author: By Adam Kirsch, | Title: Dunster Triumphs in Marriage of Figaro | 2/15/1996 | See Source »

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