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...fill two floors of the museum through Jan. 16. This will be the array of Cubist evidence at which future scholars will look back. Curator William Rubin, director emeritus of MOMA's department of painting and sculpture, has called in all his markers. "Picasso and Braque" is his retirement aria, the climax of a great career in modernist scholarship...

Author: /time Magazine | Title: Art: The Adam and Eve of Modernism | 10/2/1989 | See Source »

...motto "Ocean, emotion and constant promotion," the city has reinvented itself time and time again for the sake of a new hustle. In 1936 its mayor claimed that the Miss America Pageant was a "cultural event." (True, a contestant in last week's pageant -- the 63rd -- did sing an aria from Die Fledermaus, but the event is still more about swimwear than opera.) During the Prohibition era, it was the East Coast Babylon for bootlegging, brothels and betting, but in 1946 Atlantic City tried to persuade the United Nations to settle there, citing its "historically noncontroversial background." In the late...

Author: /time Magazine | Title: Atlantic City, New Jersey Boardwalk Of Broken Dreams | 9/25/1989 | See Source »

...avenues of musical inspiration. "There are eight really strong personalities in the band," MacGowan comments. "Everybody writes." Jem Finer, who plays banjo, sax and hurdy-gurdy and who pulled the Pogues together in the early days, has written, with the aid of a "very old Italian phrase book," an aria. "We've rehearsed it," he reveals, "but it wasn't recorded for the album. Various factions thought it was pushing things a bit far. But opera is one of our secret desires." Unlike British soldiers on a pub crawl, opera fans have been known to throw objects somewhat heftier than...

Author: /time Magazine | Title: Music: Eight Lads Putting on Airs | 8/21/1989 | See Source »

...Sentimental Thing" is a lovely ballad, in which Jackson wisely plays with lyrical lines of unequal lengths and correspondingly non-correspondent meters. The instrumental bridge is a string quartet; the coda is also counched in lush strings, with Askew contributing a haunting, wordless "Madame Butterfly" type aria. This segues into an instrumental, "Acropolis Now," which begins promisingly as a hybrid between '80s rock and Greek folk guitar, but it begins to maunder soon after and degenerates into a fairly close approximation of a jam session by a forgotten, early '70s band. The side closes with the title track, which reverses...

Author: By Glenn Slater, | Title: Great Balls of Fire | 4/28/1989 | See Source »

...Amateur Night, a blend of revival meeting and The Gong Show, the Apollo audience is the true star. A favored artist -- say, the 300-lb. gent whose falsetto carries him through an all-stops-out aria from Dreamgirls -- wins whooping applause from this Colosseum of 1,500 self-appointed Caesars. Less appreciated acts -- the Whitney Houston clones and clumsy break dancers -- are pelted with catcalls until a figure known as the Executioner darts across the stage in clown garb and chases them into the wings. Usually the performers soldier on to the end, broken but unbowing. Surely, as starmaker...

Author: /time Magazine | Title: Travel: Welcome To New Harlem! | 4/24/1989 | See Source »

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