Word: arias
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...woman, as in the legend of Pygmalion. The most entertaining example is the life-size doll Olympia, a luscious soprano in Offenbach's Tales of Hoffmann. At the end of every verse in her main aria, however, she droops and swoons until revived by several noisy turns of a crank in her back...
...with billowing flair by PierLuigi Samaritani and meticulously painted in Italy. Samaritani is experienced in designing sets for operas. His visions gloriously summon up the richness of legendary India, but sometimes overpower delicate, intricate movements. In scale and detail they seem more suited to leisurely appreciation during a long aria...
...amazon of a woman, sporting gold sequins, helmet and spear, rambles onto the stage to tell us she got lost in this forest running away from a clumsy abductor who dropped her from her balcony. This lady of the lowlands. Donna Ribalda (Melody Scheiner) feigns gusto in her aria, but soon gives in to boredom...
...progress that sinks deep into the layers of Shakespeare's meanings, to emerge restored and invigorated. Stage movement as much as language becomes a spade they use to unearth poetic ambiguities, in several mimes enacted to bits of Purcell's score: while a soprano sings a mournful aria, Stephen Rowe's Demetrius and Lisa Sloan's Helena wander about in a ghostly love-dance, with Helena reaching for and grasping Demetrius just as he turns away; after the night of illusion in the forest is over, and the lovers are rubbing the sleep and dreams from their eyes, they recap...
...lights dim, and a hush falls over the audience. A trumpet fanfare pierces the silence; suddenly a spotlight beam, crossing the stage of the New York Metropolitan Opera, illuminates the figure of a young man in a high priest's robe: Matthew Diller '81. A tenor aria fills the air; the audience stirs, and is moved to rousing applause. Diller turns to the audience, strides downstage, and then exits to the roar of the crowd--followed by high priests number two through twelve. From the wings, he watches the tenor take...