Word: arias
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...strong, virile-voiced Jailer Rocco. But in their first-act quartet in the form of a canon, Mir ist so wunderbar, the four were often shakily uneven. The only real star of the evening proved to be Canadian Tenor Jon Vickers as Florestan, who sang his moving second-act aria, In des Lebens Frühlingstagen (In the springtime days of life), with conviction and power. The orchestra under Conductor Karl Boehm was ragged, and the winds tootled some of the wrongest notes to pierce the Met air in a long while...
...Despite the billing, the star is Composer Igor Stravinsky, making his U.S. TV debut as he conducts excerpts from his Firebird Suite. Canadian Pianist Glenn Gould plays the first movement of Bach's D-Minor Concerto, and Soprano Eileen Farrell sings the "Suicidio" aria from La Gioconda...
...ever taking a lesson. When she left school, she turned down a Hollywood offer because she wanted to, become a nun. Later she decided that she lacked a true vocation, won a scholarship to Philadelphia's Curtis Institute singing Butterfly's Un bel di, the only operatic aria she knew. When she auditioned before Conductor Eugene Ormandy. he marveled: "It is impossible for anyone that beautiful to know how to sing...
...recital of the season in Kansas City, Mo., showed a celebrity-studded white-tie S.R.O. audience that she is as great a performer as she is a singer. Told that a bomb may have been planted under the stage of the Midland Theater, Callas sang a Don Giovanni aria before she allowed Governor James T. Blair Jr. to shoo her fans outside, kept to her dressing room nearby while cops searched high and low for half an hour, finished her program after the bomb scare was pronounced a hoax. After a thunderous ovation, Callas greeted Harry S. Truman with...
...yearnings in Act I, he does so in Ritchard's version while holding on to a pair of women's drawers draped across a clothesline full of underthings. At the act's end, when Figaro mockingly congratulates Cherubino on his future military career, he punctuates the aria Non più andrai with a solid boot to the rump. But Ritchard's worst sin, according to the purist critics, was turning the Countess from a person of "breeding and dignity" into a delightfully sprightly lady with an occasionally roving...