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No Other Reason. Debussy did not start his first important work-the Prelude a I'Aprés-midi d'un Fame-until he was 30. But during the next 15 years, he wrote enough to secure any composers reputation, including the revolutionary piano pieces, in which by...

Author: /time Magazine | Title: Music: The Emancipator | 12/7/1962 | See Source »

Madama Butterfly, you know, is about as Japanese as lasagne. The Boston Opera Group's production, which will be presented again at the Harvard Square Theatre tomorrow night, almost manages to convince us otherwise: Ming Cho Lee's set is delicately authentic in shades of grey; the second-act Flower...

Author: By Kenneth A. Bleeth, | Title: Madama Butterfly | 12/4/1962 | See Source »

Excitement was missing, too, from the 18th century arias with which Miss Berganza opened her recital: she sang them very nicely indeed (except for a disastrous trill in Handel's Lascia ch'io pianga), but instead of the grand manner and absolute command of style so necessary for Alessandro Scarlatti...

Author: By Kenneth A. Bleeth, | Title: Teresa Berganza | 11/17/1962 | See Source »

Better Billing. Son of a Roman baker, Stuarti came to the U.S. when he was 13, later survived the wartime torpedoing of a Liberty ship before he settled down to a diet of slim pickings on Broadway-supporting roles and choruses. He had no better luck touring small nightclubs and...

Author: /time Magazine | Title: Music: Thatza My Boy | 9/7/1962 | See Source »

Arias and Arabesques (CBS, 10-11 p.m.). A double-threat special featuring Composer Douglas (The Ballad of Baby Doe) Moore's opera Gallantry-starring Martha Wright, Laurel Hurley, Charles Anthony and Ronald Holgate-and a ballet, Parallels, based on a composition by Wallingford Riegger and choreographed by John Butler...

Author: /time Magazine | Title: Cinema: Aug. 31, 1962 | 8/31/1962 | See Source »

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