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A narrative that after a deft slow start keeps gathering fascination, Suddenly Last Summer is further proof that Williams at his best is unsurpassed in the American theater at weaving dark spells, and unequaled at writing long, full-breathed dramatic arias-first the mother's (well done by Hortense...

Author: /time Magazine | Title: The Theater: Two by Two | 1/20/1958 | See Source »

"Everybody's another Flagstad when I'm being told about her," grumbled the Philadelphia Orchestra's Eugene Ormandy. But after listening to recordings, he hired Norwegian Soprano Aase Nordmo-Lövberg, sight unseen. Last week Soprano Lövberg, 34, a statuesque blonde, appeared in Philadelphia...

Author: /time Magazine | Title: Music: Norwegian Nightingale | 12/16/1957 | See Source »

Richter, who knows Bach's entire keyboard works by memory, was at the harpsichord himself, his back to the audience, rising to conduct arias and choruses, then dropping like a falcon to improvise accompaniments for the recitatives. The critics were disarmed. Richter gave them a joyfully dynamic performance that...

Author: /time Magazine | Title: Music: Bach: Wunderbar | 12/9/1957 | See Source »

The soloists, Grace Hunter, Wesley Copplestone, and Thomas Beveridge '58, were uniformly excellent in quality of style and technique and in intonation. The main problem they faced was that Miss Hunter's tone was noticeably larger and stronger than either of the others'. Singing from in back of the orchestra...

Author: NO WRITER ATTRIBUTED | Title: The Creation | 12/7/1957 | See Source »

Through the Roof. The huge State Fair Music Hall (capacity: 4,100) was almost a quarter empty when La Callas appeared, shimmering and glowing in a Venetian-gold gown with diamonds glittering at her ears. Behind her was a black-bordered set with a sky-blue backdrop, creating the effect...

Author: /time Magazine | Title: Music: Callas in Dallas | 12/2/1957 | See Source »

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