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The difference between a rock star like Debbie Gibson, and an opera singer like Cecilia Bartoli, who performed a Fleet CelebritySeries recital at Boston's Symphony Hall on October 22 to a full house, could be described as the difference between rhinestones and diamonds. While Gibson has (or had, depending...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Damsel in 'Dis Dress | 11/3/2000 | See Source »

Most of all, though, there's the impossibly supple jazz. Every word in the film is sung. Every word: both the reliable arias of love and the tiny trivial moments that most musicals always forget. There's a great moment when a character is interrupted mid-sentence by a man...

Author: By Jared S. White, | Title: Jared White's Movie Love | 2/25/2000 | See Source »

Joe Nuccio, playing the role of Monostatos, is also worthy of accolades. Nuccio brings across the deviousness of his character but does so with a charismatic temperament that lightens the mood of the opera without detracting from the plot. His cunning attempts to woo Pamina and his conniving intentions of...

Author: By Jill Kou, CONTRIBUTING WRITER | Title: Magic Kingdom | 2/25/2000 | See Source »

But who cares about the story? What matters is the pure pageantry of it all--the piled wigs and gilded breeches; the lovestruck and the lunatic both mingling with gods. Fate is lowered from a trap door to walk with hunchbacks and adulterers. The fornicators wear brocaded robes and the...

Author: By Jérôme L. Martin, CRIMSON STAFF WRITER | Title: Baroque Fixed in Giasone | 11/5/1999 | See Source »

Mann and co-screenwriter Eric Roth want to make The Insider a suspense thriller and an art film. There are assignations under dark bridges, ornery messages snailing out of fax machines, snatches of arias on the sound track and enough slo-mo shots to extend the movie's running, or...

Author: /time Magazine | Title: Cinema: Deep Throat Takes Center Stage | 11/1/1999 | See Source »

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