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...biblical account of the Exodus does not answer a tantalizing question. Why did Moses turn right when he reached the Sinai, taking his flock on an arid, roundabout 40-year odyssey, instead of heading directly along the Mediterranean coast to the promised land...

Author: /time Magazine | Title: Science: Why Moses Went the Long Way | 3/23/1981 | See Source »

...would probably have inspired Ruskin, Swinburne, or Byron: a Roman aqueduct in working order and the Alcazar, an ancient fortress. Around these lie Gothic churches and Moorish ruins. Segovia includes none of the artificial modernness effected in Madrid or Barcelona: it is simply a small Spanish town in an arid wilderness...

Author: By Laura K. Jereski, | Title: Remains of a Romantic Vision | 3/17/1981 | See Source »

Time: Nov. 30, 1974. Scene: the bleached and arid Afar Triangle of Ethiopia. Nothing about the desert seemed auspicious. Yet Anthropologist Donald Johanson had a premonition that this would be no ordinary morning. Shortly afterward, his hunch was ratified. The day was not merely unusual; it was epochal...

Author: /time Magazine | Title: Books: Happy Hominid | 3/16/1981 | See Source »

Rumors are flying around N'Djamena to the effect that Vice President Wadal Abdelkader Kamougue, the present leader of Chad's comparatively prosperous south with its sizable Christian minority, is being encouraged by France to secede from the arid, impoverished northern region. At the same time, Habré's well-disciplined force of 1,500 men is regrouping near the town of Abeche, 400 miles northeast of the capital, where they are receiving assistance from both the Sudan and Egypt for a protracted guerrilla war. After 16 years of combat. Chad's 4.5 million people...

Author: /time Magazine | Title: Chad: An Imposed and Eerie Peace | 3/9/1981 | See Source »

This year the results are often tonic, enjoyable and full of hope. Some shoots of real vitality have been emerging from the conceptual rubble of late modernism. Although there is nostalgia for the arid pieties of yesteryear-Peter Lodato's two blank 11-ft.-high rectangles at the Whitney, for instance-the general tone is unsystematic, quirkish and opposed to movements. So much so, indeed, that curatorial bias gets in the way. No one is likely to miss minimal art, but the total exclusion of color-field painting reflects as much bigotry as its absolute dominance did ten years...

Author: /time Magazine | Title: Art: Quirks, Clamors and Variety | 3/2/1981 | See Source »

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