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Word: ariels (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Another factor in Dayan's conflict with the Begin regime was the endless controversy over Israeli settlements in the West Bank. Leading the fight for more settlements was Agriculture Minister Ariel Sharon,- who last week submitted to the Cabinet a proposal calling for the expropriation of between 2,500 and 4,000 acres of privately owned Arab land on the West Bank. Dayan himself believes that all Israelis should have freedom of movement on the West Bank, but he is well aware that the Israeli settlements are passionately opposed by the Arabs, and that the U.S. has called them...

Author: /time Magazine | Title: MIDDLE EAST: Israel's Dayan Walks Out | 10/29/1979 | See Source »

Rosovsky's right-hand man--Ariel to his Prospero, to cast them benignly--is John B. FoxJr. '59, dean of Harvard College. It's Fox's job to implement Faculty policies in the College; since a stir over his housing plan three years ago, he's managed to do so while keeping a pretty low profile among students--despite his 6 ft. 8 in. height. Fox is the final arbiter of policies affecting undergraduate life--everything from how expensive your breakfast is to how spacious your suite is. Fox also wears another hat as chairman of the Administrative Board. Harvard...

Author: By Scott A. Rosenberg, | Title: The College's Bevy of Bureaucrats | 8/17/1979 | See Source »

Whatever the etymology, Ariel is an androgynous creature, and over the years the part has been played by boys and girls, men and women. Among the female Ariels one might cite Kitty Clive in the 18th century, Maria Foote, Priscilla Horton and Kate Terry in the 19th, and Fania Marinoff, Agnes Carter, Rachel Kempson, Elsa Lanchester and Margaret Leighton in our own. For the most famous American production of The Tempest (in which only Arnold Moss' Prospero attained distinction, but which still ran a hundred performances on Broadway in 1945), director Margaret Webster engaged as Ariel the ballerina Vera Zorina...

Author: By Caldwell Titcomb, | Title: Serving the Eye Better than the Ear | 8/7/1979 | See Source »

...moves with admirable lightness, assisted by John Morris' delicate flutes, harp and chimes. His speech, however, is erratic; and his discourse (in a harpy's disguise) to the villainous nobles is an almost total loss. In "Come unto these yellow sands," "Full fathom five," and "Where the bee sucks" Ariel has three of Shakespeare's loveliest lyrics; but Morris' supporting vocalists cannot hide the fact that Dooley is simply no singer. The yardstick for the role remains Clayton Corzatte--who moved, spoke and sang to perfection...

Author: By Caldwell Titcomb, | Title: Serving the Eye Better than the Ear | 8/7/1979 | See Source »

...most engrossing--and most gross--of the characters in The Tempest is Prospero's "savage and deformed slave" Caliban, the subhuman offspring of a witch and a devil. It is incorrect to regard Ariel and Caliban as polarities. They are undeniably contrasted; but they also share a number of traits, such as distaste for physical labor, a yearning for freedom, a delight in pranks, a love of nature, an appreciation of music, and a fear of their master. Ariel has some coarse language and Caliban some ethereal lines...

Author: By Caldwell Titcomb, | Title: Serving the Eye Better than the Ear | 8/7/1979 | See Source »

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