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...Ariel R. Frank contributed to the reporting of this story...

Author: By Chana R. Schoenberger, | Title: Eight Harvard Students Named Rhodes Scholars | 12/11/1995 | See Source »

...music of composer and sound designer Bruce Odland brings the songs of the spirit Ariel (Benjamin Evett) to life. Evett's great falsetto and mysterious vibrato make the songs sound magical and strange. Yet his conch shell allows for diversity: Ariel does everything from a rap segment-using the conch as percussion-to a call in which he speaks through the amplifying and distorting shell...

Author: By Hsuan L. Hsu, | Title: Tradition, Fantasy Blend in 'Tempest' | 12/7/1995 | See Source »

Costume designer Gabriel Berry also combines the mysterious with the familiar by juxtaposing the Milanese court's clothing, based on the clothing of seventeenth-century European aristocrats, with Prospero's shaman costume. Ariel and Caliban, dressed and body-painted like native islanders, also contrast effectively with the conservatively outfitted Milanese. The butler Stephano (Charles Levin) and the jester Trinculo (Thomas Derrah) who boast more colorful costumes, go through several changes-including some cross-dressing-after they discover a glistering wardrobe...

Author: By Hsuan L. Hsu, | Title: Tradition, Fantasy Blend in 'Tempest' | 12/7/1995 | See Source »

...onto the shore. As he plans revenge, oversees the engagement of his daughter Miranda (Jessalyn Gilsig) to Prince Ferdinand of Naples (Scott Ripley) and foils Caliban's plot against his life, Freeman evokes every doubt, conviction and emotion Prospero experiences. He is temperamental and harsh with his spirit-servant Ariel, kind but strict toward Caliban and a little amazed by his own decision to forgive his betrayers and give up his powers. In the midst of the fantastic world created by Daniels, Freeman's Prospero gives the play a familiar and human center. Both his controlled performance and the dazzling...

Author: By Hsuan L. Hsu, | Title: Tradition, Fantasy Blend in 'Tempest' | 12/7/1995 | See Source »

...Tempest is about emancipation: Prospero escapes his exile, Ariel emerges from servitude, Miranda enters the realm of adult passion. Yet this production fails to free its audience. When the storm clears, our feelings--like many a storm-tossed thing--are hopelessly knotted...

Author: /time Magazine | Title: THEATER: THEY BLEW IT | 11/20/1995 | See Source »

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