Word: aristocratic
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Dates: during 1960-1969
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...decade since his death, Nicolas de Staël has become a mythical figure m the Paris art world. His life pro vided most of the necessary romantic ingredients. He was an athletic, tall, brooding Russian aristocrat, a former Foreign Legionnaire, remotely related to the 19th century French writer Madame de Staël, and a compulsive painter. When at the age of 41 he dived out of a third-story window in the Riviera resort of Antibes, his suicide rounded out the myth...
...hearing bad blend and faulty intonation even occasionally. The total effect of the Beethoven was exhilarating, but I can't help wondering, in retrospect, whether my standards are too high (after all, the players are only human), or whether it could indeed have been better. When the Aristocrat of Orchestras falls down on the job, what values are sacred...
...doctor, Mastroianni offers his protection to a dishonored country girl (Yolanda Modio) and becomes so inflamed by the nearness of her murderous menfolk that he begins biting buttons off her dress. Another stylishly funny sequence, indebted to Fellini, drums up elegant corruption at a villa where a deaf aristocrat's mistress (Marisa Mell) tries to persuade Mastroianni to kill for her. In pursuit of the lady, he is ferried languidly along a stream, statues and bridges crumbling ominously in his wake...
Though the Tories may not need Sir Alec now, they owe the former 14th Earl of Home, who gave up his title to become Prime Minister when Harold Macmillan stepped down, a large debt. The gaunt, gracious aristocrat was hardly a public figure when he moved from the foreign secretaryship to No. 10 Downing Street. He inherited a party embarrassed by the Profumo-Keeler scandal and racked by dissension over his own selection. After nearly 13 years in power, the Tories were visibly tired and the public seemed overwhelmingly ready for a switch to Labor. Sir Alec managed to rally...
Scrambling fact in a free-for-all of oldtime comedy styles, Magnificent Men invents a Great London-Paris Air Race in the year 1910. The competition, sponsored by British Publishing Tycoon Robert Morley, soon becomes a contest between a rugged U.S. barnstormer (Stuart Whitman) and an airborne English aristocrat (James Fox), each determined to win the day and the tycoon's daughter, Sarah Miles, precisely the sort of flibbertigibbet Josephine who might lose her heart-and through frequent entanglements, her hobble skirt-to a daring young man in a flying machine...