Word: aristocratic
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Dates: during 1970-1979
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...dramatic posturing is less subtle than Wilber's, and more self-conscious, but she maintains the illusion of the unrivalled actress in her prime in all but the most taxing moments. In the grand renunciation scene, when she announces she will leave the stage--forever, of course--the poised aristocrat turns into a ranting hausfrau, flailing and directing her harangue at the audience. The dislocation is brief but unsettling...
...several score Republicans assembled at a modest country club fund raiser. The tall, poised figure in the Brooks Brothers suit sips beer out of a pilsner glass and chats easily. In a short speech he asserts his optimism about the results in the coming caucuses. But the New England aristocrat (his father was a wealthy businessman and U.S. Senator from Connecticut) turned Texas oilman seemed patronizing when discussing that heritage. Said Bush: "They say I'm a patrician. I don't even know what the word means. I'll have to look it up." He also looks...
Ruggero Raimondi's Don is a middle-aged, thin-lipped, white-faced sadist, a man more easily pictured flogging cats than seducing women. Raimondi fits in well with Losey's class-conscious interpretation of Da Ponte's text--he sees Don Giovanni as the consummate self-indulgent aristocrat. There's nothing wrong with coloring the opera this way, but Raimondi and Losey paint over and obliterate the other half of Don Giovanni's character, the youthful embodiment of unbounded energy who mesmerized the romantics. They do Mozart and Da Ponte an injustice by simplifying the libretto's psychological tangle...
...year-old aristocrat, who disclaimed his title in 1963 (and later shortened his name from Anthony Wedgwood Benn), he was weaned on politics. At Oxford, where he received an M.A. in history, Benn was president of the select Oxford Union and a masterly debater. He won the first of his twelve elections to Parliament from Bristol South-East in 1950 and served in several Labor Cabinets...
...conscious mannerisms, he makes his character, a mess sergeant from Arizona, an appealing innocent abroad. Devane is a charming commanding officer, despite his disconcerting tendency to sound like Jack Nicholson. Both Eichhorn (a gifted screen newcomer) and Redgrave show enough backbone to prevent their roles, a shopgirl and an aristocrat, from softening into hopeless cliches...