Word: aristocratic
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Gallic Gems. As they swirled, sniffed, sipped and spat, some judges were instantly able to separate an imported upstart from an aristocrat. More often, the panel was confused. "Ah, back to France!" exclaimed Oliver after sipping a 1972 Chardonnay from the Napa Valley. "That is definitely California. It has no nose," said another judge-after downing a Batard Montrachet '73. Other comments included such Gallic gems as "this is nervous and agreeable," "a good nose but not too much in the mouth," and "this soars out of the ordinary...
King Simeon II of Bulgaria, 38, who considers his job that of "keeping the Bulgarian spirit alive"-notably in the U.S., where there are 50,000 of his fellow-countrymen. He is married to a Spanish aristocrat and lives in Madrid with their four sons and a daughter...
Died. Count Luchino Visconti, 69, Italian aristocrat who became a movie director at the age of 30 and made an international reputation with a handful of meticulously wrought and highly atmospheric films; of a heart attack while suffering from influenza; in Rome. An early neorealist, along with Vittorio de Sica and Michelangelo Antonioni, Visconti used Sicilian villagers instead of actors in La Terra Trema (1947), the drama of a poor fisherman's family. In Rocco and His Brothers (1960), he described the brutalizing of a farm family moving north to Milan. Visconti's later works tended toward operatic...
...manual provides for all possible situations and exigencies of the social rat race: "Social Climbing," "Extinctions and Mortalities," "Vilenesses Various," "In Pursuit of Comfortable Habits," "Perils and Precautions," "Mischief and Memorabilia." The atmosphere is English manor house, gently decadent. Catalogued are innumerable pointers, all that the debonaire and naughty aristocrat must do to succeed is meticulously explained. There are rules and tips concerning accent improvement, farting in public, horsemanship, ass-kissing, being a big shot, heaping abuse, shabby people, the Old School...
...possess all the sports cars, villas and yachts that are referred to. As a result, you and your mythical antagonist--i.e., the ever-present social enemy--become the protagonists. The verbal bouts in which you both engage are conducted in two dialects: "pukka", to which you, the sporting aristocrat, are sometimes entitled; and "non-pukka", or common vernacular, to which your "bootless and unhorsed" social opponent is restricted. Fake, for example, an extract from "At the Massage Parlor...