Word: aristocratically
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Tristana is the ward of a graying voluptuary, Don Lope (Fernando Key). Lope is an aristocrat, an atheist and a hypocrite-three distinct personalities that Rey manages to portray simultaneously. As his money and his vigor recede, Don Lope pursues the bewildered girl and overtakes her. Once seduced, Tristana is a figure of metastasizing vengeance. When she becomes the mistress of a young artist (Franco Nero), Don Lope shouts in misery, "I prefer tragedy to ridicule . . ." The girl awards him both. Her flight with the artist is ended by a disease that costs her a leg. Convalescing in the house...
...mixture of pride, the pleasure of being governor, and perhaps a sense of duty have motivated him to try for a third term in office, but when he retires to his ranch in northern Arkansas, his unique position within the state-a blend of aristocrat, philanthropist, business leader, and politician-should allow him to exert his presence long after he is governor...
...Deutsche Oper's version of Hans Werner Henze's sardonic The Young Lord, for example, hits harder than would be possible in a stage production: In this grim fable, the citizens of a small town foolishly ape the eccentricities of what they believe to be a wealthy aristocrat; at the end they discover that the object of their idolatry is in fact a real ape. Stripped of pretense by the cruel joke, the people stare helplessly at the ape while the camera mercilessly moves from face to face. Henze's music provides the ammunition...
...formally set up his own Cambodian government in exile, complete with a twelve-member Cabinet and a platform ineluding items like abolition of polygamy. His self-styled New Royal Government of National Union won instant recognition from several Communist countries, prompting Sihanouk to quip that, as a French-educated aristocrat and heir to a 2,000-year-old monarchy, he could not be a Red but only a "pink Prince." Cambodia's predominantly rural people may not be all that amused. They are not so much anti-Communist as anti-Vietnamese, and Sihanouk's increasing dependence on Hanoi...
...form and function. This led to what the Herman Miller Company called "America's most famous chair"- two doubly curved molded plywood components, one for the seat and the other for the back, which were connected with rubber shock mounts to the plywood and bent steel rod legs. The aristocrat of the Eames tamily is the black leather-upholstered lounge chair, but what became every man's chair was Fames' molded fiberglass stacking chair...